I have heard that it requires three generations to make a gentleman. Those created by Napoleon have not yet fairly reached a second; and, with all respect for talent, industry, and valour be it spoken, the necessity of this slow process very frequently forces itself upon one's conviction at Paris.
It is probable that the great refinement of the post-imperial aristocracy of France may be one reason why the deficiencies of those now often found mixed up with them is so remarkable. It would be difficult to imagine a contrast in manner more striking than that of a lady who would be a fair specimen of the old Bourbon noblesse, and a bouncing maréchale of Imperial creation. It seems as if every particle of the whole material of which each is formed gave evidence of the different birth of the spirit that dwells within. The sound of the voice is a contrast; the glance of the eye is a contrast; the smile is a contrast; the step is a contrast. Were every feature of a dame de l'Empire and a femme noble formed precisely in the same mould, I am quite sure that the two would look no more alike than Queen Constance and Nell Gwyn.
Nor is there at all less difference in the two races of gentlemen. I speak not of the men of science or of art; their rank is of another kind: but there are still left here and there specimens of decorated greatness which look as if they must have been dragged out of the guard-room by main force; huge moustached militaires, who look at every slight rebuff as if they were ready to exclaim, "Sacré nom de D* * *! je suis un héros, moi! Vive l'Empereur!"
A good deal is sneeringly said respecting the parvenus fashionables of the present day: but station, and place, and court favour, must at any rate give something of reality to the importance of those whom the last movement has brought to the top; and this is vastly less offensive than the empty, vulgar, camp-like reminiscences of Imperial patronage which are occasionally brought forward by those who may thank their sabre for having cut a path for them into the salons of Paris. The really great men of the Empire—and there are certainly many of them—have taken care to have other claims to distinction attached to their names than that of having been dragged out of heaven knows what profound obscurity by Napoleon: I may say of such, in the words of the soldier in Macbeth—
"If I say sooth, I must report they were
As cannon overcharged with double cracks."
As for the elderly ladies, who, from simple little bourgeoises demoiselles, were in those belligerent days sabred and trumpeted into maréchales and duchesses, I must think that they make infinitely worse figures in a drawing-room, than those who, younger in years and newer in dignity, have all their blushing honours fresh upon them. Besides, in point of fact, the having one Bourbon prince instead of another upon the throne, though greatly to be lamented from the manner in which it was accomplished, can hardly be expected to produce so violent a convulsion among the aristocracy of France, as must of necessity have ensued from the reign of a soldier of fortune, though the mightiest that ever bore arms.
Many of the noblest races of France still remain wedded to the soil that has been for ages native to their name. Towards these it is believed that King Louis-Philippe has no very repulsive feelings; and should no farther changes come upon the country—no more immortal days arise to push all men from their stools, it is probable that the number of these will not diminish in the court circles.
Meanwhile, the haut-ton born during the last revolution must of course have an undisputed entrée everywhere; and if by any external marks they are particularly brought forward to observation, it is only, I think, by a toilet among the ladies more costly and less simple than that of their high-born neighbours; and among the gentlemen, by a general air of prosperity and satisfaction, with an expression of eye sometimes a little triumphant, often a little patronizing, and always a little busy.
It was a duchess, and no less, who decidedly gave me the most perfect idea of an Imperial parvenue that I have ever seen off the stage. When a lady of this class attains so very elevated a rank, the perils of her false position multiply around her. A quiet bourgeoise turned into a noble lady of the third or fourth degree is likely enough to look a little awkward; but if she has the least tact in the world, she may remain tranquil and sans ridicule under the honourable shelter of those above her. But when she becomes a duchess, the chances are terribly against her: "Madame la Duchesse" must be conspicuous; and if in addition to mauvais ton she should par malheur be a bel esprit, adding the pretension of literature to that of station, it is likely that she will be very remarkable indeed.