"Not yet, my son, not yet," murmured the dying King, "but shortly, if so it please God."
Anne of Austria, named Regent by her husband's will, rules in her son's name. A splendid Court assembles round her, at the Louvre, at Saint-Germain, and at Fontainebleau. Her exiled favourites are there to do her homage. The Duchesse de Chevreuse, after a long sojourn in Spain, England, and Flanders,—for she loves travel and the adventures of the road, either masked, or disguised as a page, a priest, or a cavalier,—is reinstated in her Majesty's favour. In Spain the Duchess's vanity was gratified by enslaving a royal lover—the King of Spain, brother of Anne of Austria; in England she diverted herself with fomenting personal quarrels between Charles I. and Henrietta Maria; in Flanders—a dull country—she found little to amuse her.
Mademoiselle de Hautefort (soon to become Duchesse and Maréchale de Schomberg) returns in obedience to the Queen's command, who wrote to her even when the King was alive, "Come, dearest friend, come quickly. I am all impatience to embrace you!"
The Duchesse de Sennécy arrives from the provinces, and the Chevalier de Jars from England. The latter had been imprisoned in the Bastille, and threatened with torture by Richelieu, to force him to betray the Queen's correspondence with Spain at the time of the Val de Grâce conspiracy. He had been liberated, however, but while the Cardinal lived had remained in England.
These, among many other faithful attendants, resume their places at the petit coucher, in the grand cercle, and at the morning lever.
Then there are the princes and princesses of the blood-royal:—Monsieur the Duc d'Orléans—no longer breathing vows of love in the moonlight, but a veteran intriguer—living on the road to Spain, which always meant rebellion, together with his daughter, La Grande Mademoiselle, a comely girl, the greatest heiress in Europe; Cæsar, Duc de Vendôme, son of Gabrielle and Henry IV., with his Duchess and his sons, the Ducs de Mercœur and De Beaufort; Condé, the uncrowned head of the great house of Bourbon—more ill-favoured and avaricious than ever—his jealous temper now excited against the bastards of the house of Vendôme, with his wife, Charlotte de Montmorenci, sobered down into a dignified matron, devoted to her eldest son, the Duc d'Enghien, and to her daughter, the Duchesse de Longueville, the brightest ornament of the Court; the Duc de Rochefoucauld and his son, the Prince de Marsillac, the author of Les Maximes, to become a shadow on the path of the last-named Duchess, who is to die in a convent; the great House of La Tour d'Auvergne, Viscomtes de Turenne and Ducs de Bouillon, from which springs Henri de Turenne, the rival of young Condé; Séguier, Duc de Villemer, generously forgiven for the part he took against the Queen as Chancellor, at the Val de Grâce; and, last of all, Henry, Duc de Guise—by-and-by to astonish all Europe by his daring escapade at Naples, where, but for Masaniello, he might have been crowned King, with the Queen's beautiful maid of honour, Mademoiselle de Pons, at his side.
There is also about the Court a young man named Giulio Mazarin, born in Rome of a Sicilian family, late secretary to Cardinal Richelieu. He has passed many years in Spain, and can converse fluently in that language with her Majesty whenever she deigns to address him. He has a pale, inexpressive face, with large black eyes, à fleur de tête, generally bent on the ground. His manners are modest, though insinuating; his address is gentle, his voice musical. Like all Italians, he is artistic; a conoscente in music, a collector of pictures, china, and antiquities. So unobtrusive and accomplished a gentleman cannot fail to please, especially as he is only a deacon, and, with a dispense, free to marry. The Queen, who often converses with him in her native tongue, appreciates his merits. Her minister, the Bishop of Beauvais, leaves the Court. He finds that his presence is useless, as the Queen acts entirely under the advice of this young Italian, whom she also selects as guardian to the young King, who, poor simple boy, looks on Mazarin as a father.
