Maria Theresa.
From a painting by Velasquez in the Louvre.
"I do not really weep, ma bonne," said the dying Queen; "these tears that I shed are forced from me by intense anguish; you know I never cry." The Archbishop d'Auch, seeing her condition, told her plainly that the doctor despaired of her life.
"I thank God," she answered. "Do not lament," added she, turning to her ladies, whose sobs caught her ear; "we must all die. I am still among you; when I am gone, then grieve for me, not yet."
Her son, Philippe d'Orléans, sat constantly beside her bed. While he was present she never allowed herself to utter a complaint, but when he left her, she turned to Madame de Motteville and said, "I suffer horribly. There is no single part of my whole body that is not rent with pain." Then raising her eyes to heaven she exclaimed, "Praised be God, it is His will, His will be done—I submit to it with all my heart; yes, with all my heart." Yet in this condition she took the liveliest interest in all that concerned her sons and the King of Spain, and caused every letter to be read aloud to her coming from Madrid. Two nights before her death she bade good-night to her children with a haste unusual to her. It was because she did not wish them to witness sufferings she could no longer conceal. As soon as they were gone she desired that the litany of the Passion should be chanted throughout the weary hours of the night. Now and then her groans interrupted the solemn office. When her women strove to mitigate her agony, she pushed them away, saying,
"My vile body is given up to the justice of God. I care not what becomes of it."
In the morning the King, of whom she was ever devotedly fond, and who warmly returned her love, remained many hours with her. That afternoon she grew worse. During the night her son Monsieur hid himself in the curtains of her bed, not to leave her, as she had earnestly desired he would do. The next morning, it was deemed advisable to administer extreme unction. The King and Queen, Monsieur d'Orléans, Madame his wife, and Mademoiselle de Montpensier were present. They went out to meet the Lord's body and to bear it to her. After she had communicated, a heavenly expression spread over her countenance, her eyes shone with unnatural brilliancy, and the colour returned to her cheeks.
"Observe my dear mother," whispered the King, who was standing at the foot of her bed, to Mademoiselle de Beauvais, "I never saw her look more beautiful." Then she called her children round her, and solemnly blessed them. These four, her two sons and their wives, knelt by her bedside. They kissed her hands and shed tears of a common grief. The curtains were then closed, that the Queen might take a little rest. When they were undrawn, the film of death had gathered on her eyes.
Beautiful Saint-Cloud, enfolded in softly undulating hills, its sheeny lawns and majestic avenues descending to the Seine, whose clear waters dance and ripple below in the soft spring light;—Saint-Cloud, with its dimpling uplands and lofty summits, on whose topmost verge stands what was once a Roman watch-tower, looking towards Lutetia, the ancient Paris, now a Grecian temple called the Lanterne de Diogène; Saint-Cloud, dense, leafy, forest-like; yonder a deep glen, in which the morning shadows lie; above, grassy meads of finest greensward, where the primrose and the cowslip, the anemone and the foxglove blossom under scattered groups of noble trees, gay with every shade of green, oaks yellow with new leaves; delicate beech and the soft foliage of the tufted elm; all rising out of a sea of paler tinted copsewood. Midway on the hill-side, the ground suddenly falls; and the woods melt into sculptured terraces, on which the spray of many fountains catch and reflect the morning sun. These terraces are again broken by a magnificent cascade, which dashes downwards, to be presently engulfed by the overhanging trees, before it falls into the river.
It is early summer. The air is full of perfume. The scent of new-made hay and the odour of dew-laden flowers are wafted from the terraces towards the palace, lying in the lowest lap of the hills, shut in by hanging gardens, its pillared portico basking in the sunshine.