in the loss of his teeth seeing that it was for the service of God and of her Highness; for God having given him all the teeth he possesses, in depriving him of two has but opened a window in the house of his body, the more readily to observe the soul within.

As the royal cavalcade approaches the great gonfalon of Spain, the queen makes a low reverence and passes to the right hand, awaiting Ferdinand, who appears in state, armed cap-à-pie in mail so wrought with gold it seems all of that metal—a snowy plume waving over a diadem on his neck, a massive chain, the links inwrought with gems of the rough workmanship of Gothic times when everything was ponderous, mounted on a chestnut charger, and attended by the Christian knights. But as they approach each other, these royal spouses, in the presence of the army and in a hostile land, it is not in the guise of mutual lovers, but as allied sovereigns that they meet. Three formal reverences are their salutation, the queen taking off her hat as Ferdinand approaches and formally kisses her on the cheek. He also kisses his daughter and blesses her, and so they pass into the camp to the lofty tent prepared for Isabel. In the centre of the camp, not, indeed, a tent, but a pavilion in the Oriental taste, formed of sheets of cloth of gold, divided into compartments of painted linen lined with silk, each compartment separated from the other by costly arras. Lances make its columns, brocade and velvet its walls, and it covers such an extent of ground as might have been occupied by a real palace.

All lay in profound repose, the gorgeous pageant was over, the shades of evening deepened, the stars came out serene in that large firmament, and lighted up the streets of tents, gay with banners and devices, where the camp-fires burned.

Alone, the queen had not retired to rest, and was offering up her fervent prayers for the success of the war and the safety of Ferdinand. In an instant a vivid and startling blaze burst forth beside her. The tent was in flames. The light materials fed the fire. She had barely time to escape from the burning embers falling about her, and to rush to her husband’s tent. Into his arms she cast herself—the valiant queen for a moment all the woman—in her alarm.

“The Moors have done this!” cried Ferdinand, as he listened to her confused account. “They will be on us. Let the trumpets sound to charge,” and hastily wrapping himself in his manto he made his way through the blazing camp to command his forces.

But no Moors were there. The towers of Granada rose white and placid in the night. The only light, the beacon fire in the high outpost of the Vega. No sound came from the city. For a moment the thought of magic floated through Ferdinand’s mind. He was superstitious, and the Moors dealt much in necromancy, but it was evident that in its course the fire was associated with the queen (whether by purpose or accident), and he was resolved to take advantage of this to rouse his indignant army to action.

“Heaven,” said he, as his knights came rushing round him, “has saved the queen. Let this danger to her life break up the camp and lead us to the solid walls of Granada. Let us lodge her safely within the walls of the Alhambra. Woe to the Moslem and his wiles!”