PART I.
CHAPTER I.
LUCCA.
We are at Lucca. It is the 13th of September, 1870—the anniversary of the festival of the Volto Santo—a notable day, both in city, suburb, and province. Lucca dearly loves its festivals—no city more; and of all the festivals of the year that of the Volto Santo best. Now the Volto Santo (Anglicè, Holy Countenance) is a miraculous crucifix, which hangs, as may be seen, all by itself in a gorgeous chapel—more like a pagoda than a chapel, and more like a glorified bird-cage than either—built expressly for it among the stout Lombard pillars in the nave of the cathedral. The crucifix is of cedar-wood, very black, and very ugly, and it was carved by Nicodemus; of this fact no orthodox Catholic entertains a doubt. But on what authority I cannot tell, nor why, nor how, the Holy Countenance reached the snug little city of Lucca, except by flying through the air like the Loretto house, or springing out of the earth like the Madonna of Feltri. But here it is, and here it has been for many a long year; and here it will remain as a miraculous relic, bringing with it blessings and immunities innumerable to the grateful city.
What a glorious morning it is! The sun rose without a cloud. Now there is a golden haze hanging over the plain, and glints as of living flame on the flanks of the mountains. From all sides crowds are pressing toward Lucca. Before six o'clock every high-road is alive. Down from the highest mountain-top of Pizzorna, overlooking Florence and its vine-garlanded campagna, comes the hermit, brown-draped, in hood and mantle; staff in hand, he trudges along the dusty road. And down, too, from his native lair among the pigs and the poultry, comes the black-eyed, black-skinned, matted-haired urchin, who makes mud pies under the tufted ilex-trees at Ponte a Moriano, and swears at the hermit.
They come! they come! From mountain-sides bordering the broad road along the Serchio—mountains dotted with bright homesteads, each gleaming out of its own cypress-grove, olive-patch, canebrake, and vine-arbor, under which the children play—they come from solitary hovels, hung up, as it were, in mid-air, over gloomy ravines, scored and furrowed with red earth, down which dark torrents dash and spray.
They come! they come! these Tuscan peasants, a trifle too fond of holiday-keeping, like their betters—but what would you have? The land is fertile, and corn and wine and oil and rosy flowering almonds grow almost as of themselves. They come—tens and tens of miles away, from out the deep shadows of primeval chestnut-woods, clothing the flanks of rugged Apennines with emerald draperies. They come—through parting rocks, bordering nameless streams—cool, delicious waters, over which bend fig, peach, and plum, delicate ferns and unknown flowers. They come—from hamlets and little burghs, gathered beside lush pastures, where tiny rivulets trickle over fresh turf and fragrant herbs, lulling the ear with softest echoes.
They come—dark-eyed mothers and smiling daughters, decked with gold pins, flapping Leghorn hats, lace veils or snowy handkerchiefs gathered about their heads, coral beads, and golden crosses as big as shields, upon their necks—escorted by lover, husband, or father—a flower behind his ear, a slouch hat on his head, a jacket thrown over one arm, every man shouldering a red umbrella, although to doubt the weather to-day is absolute sacrilege!
Carts clatter by every moment, drawn by swift Maremma nags, gay with brass harness, tinkling bells, and tassels of crimson on reins and frontlet.
The carts are laden with peasants (nine, perhaps, ranged three abreast)—treason to the gallant animal that, tossing its little head, bravely struggles with the cruel load. A priest is stuck in bodkin among his flock—a priest who leers and jests between pinches of snuff, and who, save for his seedy black coat, knee-breeches, worsted stockings, shoe-buckles, clerical hat, and smoothly-shaven chin, is rougher than a peasant himself.