And now the exciting moment of the ribbons is come—the moment when the best presents are to be produced—the ribbons—a sheaf of rainbow-colors, fastened into a strong golden ring, which ring is to be held by a single lady, each gentleman grasping (as best he can) a single ribbon. As long as the lady seated on the chair in the centre pleases, the gentlemen are to gyrate round her. When she drops the ring holding the sheaf of ribbons, the Cavaliere Trenta is to clap his hands, and each gentleman is instantly to select that lady who wears a rosette corresponding in color to his ribbon—the lady in the chair being claimed by her partner.

Nobili has placed Nera Boccarini on the chair in the centre. (Ever since the flavor of that fervid kiss has rested on his lips, Nobili has been lost in a delicious dream. "Why should not he and Nera dance on—on—on—forever?—Into indefinite space, if possible—only together?" He asks himself this question vaguely, as she rests within his arms—as he drinks in the subtile perfume of the red roses bound in her glossy hair.)

Nera is triumphant. Nobili is her own! As she sits in that chair when he has placed her, she is positively radiant. Love has given an unknown tenderness to her eyes, a more delicate brilliancy to her cheeks, a softness, almost a languor, to her movements. (Look out, acknowledged belle of Lucca—look out, Teresa Ottolini—here is a dangerous rival to your supremacy! If Nobili loves Nera as Nera believes he does—Nera will ripen quickly into yet more transcendent beauty.)

Now Nobili has left Nera, seated in the chair. He is distributing the various ribbons among the dancers. As there are over a hundred couples, and there is some murmuring and struggling to secure certain ladies, who match certain ribbons, this is difficult, and takes time. See—it is done; again Nobili retires behind Nera's chair, to wait the moment when he shall claim her himself.

How the men drag at the ribbons, whirling round and round, hand-in-hand!—Nera's small hand can scarcely hold them—the men whirling round every instant faster—tumbling over each other, indeed; each moment the ribbons are dragged harder. Nera laughs; she sways from side to side, her arms extended. Faster and more furiously the men whirl round—like runaway horses now, bearing dead upon the reins. The strain is too great, Nera lets fall the ring. The cavaliere claps his hands. Each gentleman rushes toward the lady wearing a rosette matching his ribbon. Nera rises. Already she is encircled by Nobili's arm. He draws her to him; she makes one step forward. Nera is a bold, firm dancer, but, unknown to her, the ribbons in falling have become entangled about her feet; she, is bound, she cannot stir; she gives a little scream. Nobili, startled, suddenly loosens his hold upon her waist. Nera totters, extends her arms, then falls heavily backward, her head striking on the parquet floor. There is a cry of horror. Every dancer stops. They gather round her where she lies. Her face is turned upward, her eyes are set and glassy, her cheeks are ashen.

"Holy Virgin!" cries Nobili, in a voice of anguish, "I have killed her!" He casts himself on the floor beside her—he raises her in his strong arms. "Air, air!—give her air, or she will die!" he cries.

Putting every one aside, he carries Nera to the nearest window, he lays her tenderly on a sofa. It is the very spot where he had kissed her—under the fiery shadow of the red curtain. Alas! Nobili is sobered now from the passion of that moment. The glamour has departed with the light of Nera's eyes. He is ashamed of himself; but there is a swelling at his heart, nevertheless—an impulse of infinite compassion toward the girl who lies senseless before him—her beauty, her undisguised love for him, plead powerfully for her. Does he love her?

The Countess Boccarini and Nera's sisters are by her side. The poor mother at first is speechless; she can only chafe her child's cold hands, and kiss her white lips.

"Nera, Nera," at last she whispers, "Nera, speak to me—speak to me—one word—only one word!"

But, alas! there is no sign of animation—to all appearance Nera is dead. Nobili, convinced that he alone is responsible, and too much agitated to care what he does, kneels beside her, and places his hand upon her heart.