"A general review of the casualties; the summary of the result of the announcements of the sudden deaths of so many leading men. This is followed by the story of the deaths of six Senators. The head runs across the page. The head-line reads 'Death's Harvest, Thirty-Six!' The banks tell of the sudden deaths that have come upon Senators, Judges, Manufacturers, Railroad Magnates, and a score of multi-millionaires."

"We can't tell everything in a line, or in one edition," observes the proprietor, "so I think it is safe to 'go to press.' Is there nothing of importance left out?"

Before an answer can be given to this query the telegraph editor rushes from his desk waving a slip of paper.

"Hold the press!" he exclaims. "Here's the biggest news yet. Attorney General Bradley of the United States has been assassinated as he was leaving his office.

"The man who killed him made no attempt to escape, but, waiting to see that the three shots he had fired point-blank at the Attorney General had done their work, he deliberately turned the pistol on himself. He placed it at his right temple and fired, dropping dead in his tracks."

"Wait a minute; wait!" cries the editor-in-chief. "Don't say another word."

Turning to the night editor he says, "It will be necessary to change the first page. A new head will have to be run, and the leading story will have to tell of the murder of the Attorney General. This news is national. I think I had better go to the press room and do this work myself. The press will start in twenty minutes, if you give me the word 'Go ahead!'"

"Go ahead," is the laconic reply.

Down the winding staircase that leads to the composing room, and then to the basement where the presses are located, the chief runs. He sets about his work with a calmness and speed that is remarkable. The first page is put on the composing table and the form opened. The head lines are removed and the copy that the editor is turning out a dozen words at a time on a page, are instantly set up and put in place.

In eight minutes the form is keyed up and the stereotypers have it in their hands. Three minutes later the pressman has the stereotype plate. A minute later the press is in motion.