In the West Country

by Francis A. Knight

Cuckoo!

The cuckoo's life is like that of no other bird that flies. There are no household cares for him; no nest to build, no eggs to warm, no brood to forage for. His sole business seems but to call his own name all day among the tree tops. It is a beautiful sound. And yet there are times when the cuckoo, as much as any bandit of the air, any crow, or sparrow-hawk, or prowling magpie, breaks the peace of the sylvan solitude. He may call all day if he will, without let or hindrance, or the least attempt at interruption. The birds pay little heed to him, save now and then in an idle moment to mob him and jeer at and hustle him, as they love to do to an owl, who by some mischance has sallied out into the daylight.

But the moment his mate is suspected of designs on the nest of some defenceless hedge-sparrow, or robin, or wagtail, with an eye to finding foster parents for her own discarded offspring, the whole neighbourhood is up in arms. A few days since a cuckoo, who had evidently set her heart on a robin's nest in the thick growth of ivy round the chimney of one of the houses in the village, alighted in the top of a tall aspen that overlooked the spot. She settled on the roof of the house to reconnoitre. She even perched on the ledge of the garret window to get a better view. And all the while she was followed by an excited mob of redstarts, wagtails, and robins, scolding, storming, chattering. Sometimes, as if dismayed by their persistent clamour, the cuckoo made a half circuit of the garden, diving in and out among the bushes, swooping down to avoid the attack of some pursuer more importunate than the rest, and uttering now and then a strange, inarticulate cry, as if—which is likely enough—she were carrying in her mouth the egg she wanted to leave in the robin's nest. She gave it up at last, plunging down into a great bay tree, seeking in its thick-growing foliage some respite from pursuit.

The darkness deepens. But there is still light enough to follow the deer-path among the trees, whose thick carpeting of brown dry pine-needles is soft as velvet to the feet. It is not yet too dark to see the black-cock that gets up from the bilberry jungle by the path, or the wood pigeons that, when you pause beneath their roosting place, go crashing out from the branches overhead. You can still watch the two squirrels that chase each other round the stem of a giant ash tree; can follow them, when, startled from their frolic, they take a short cut homeward through the larch-tops. They leap from the firm footing of one tree to the drooping bough beyond, and when it goes down, down beneath them like a blade of grass, they go on, without a moment's pause, towards their nest in the heart of the wood. So few wayfarers disturb the quiet here—or else the brown woodlanders have had such scant experience of the ways of man, of his love of capture and annexation—that the squirrels have not thought it worth while to build their stronghold high among the trees. It is not twenty feet from the ground. It is like a great wren's nest, a ball of moss, thick and closely felted, and marvellously laced round and round with long pliant larch twigs, and with only the least trace of an entrance at the side.

A flock of swifts are careering down the glen, like a troop of noisy revellers; their wild chorus sounding shrill and clear in the deepening hush of night. They wheel, with loud rustle of keen wings, and dash upwards towards the moor. Again that swift career along the grass-grown road; again that wild exultant scream, so fierce, so beautiful. Deride it if you will. Call it hoarse, discordant, savage. It is a victorious pæan, a song of triumph, an exultant chorus proclaiming the empire of the air.

The dark forms vanish; the wild notes die away. It is the last sound of daylight.

"Far away, some belfry chime

Breathes a prayer across the moors."

The last sound of daylight. The children of the night are abroad. White moths, painted boldly on the shadows, flit by like phantoms. Ghost-like, too, is the soundless flutter of a bat that, by the dark archway of the old bridge, chases the insects that hover on the stream. The long, low, monotonous call of the grasshopper-warbler among the furze bushes on the edge of the wood, is a strange sound;—the voice of a cricket, one might think, and not of a bird at all. Strange, too, is the droning note of a nightjar, rising and falling as if the bird, wheeling this way and that, were chasing moths among the trees. The bats have voices, though their flight is soundless, and their faint shrill cries grow in the stillness louder and more clear. At intervals an owl hoots, startling from their half sleep the drowsy birds among the thickets over which he passes, so that one may follow his flight by the clamour he leaves behind him. Among the trees there sounds at times the crash of a belated ring-dove, settling down for the night, followed by a murmur of soft love notes, an answering whisper, and then silence.

Yet the air is full of faint, indistinguishable sounds, the opening of leaves perhaps, the patter of spent petals, the fall of pine needles, and the movements of night-wandering creatures. And to every sound the darkness lends a touch of mystery. Fancy could paint almost anything of strange and startling among the black shadows of the wood. You stop, almost in terror, when a pheasant rises, under your very feet, with a great rush of wings, and vanishes into the gloom. A blackbird, flying over unseen, sounds his loud alarm in passing, ringing, musical, metallic, like the throbbing string of some wild instrument.