And changing like a poet's rhymes,"
seems, with the rush of the wind among the rocking tops, and with the songs and call-notes of a hundred birds, to fill the hollow. In the pauses of the roar of the white lasher by the mill, a roar that sinks and swells with every flaw that blows, the ear may catch now the sound of the swift current brawling over its brown pebbles, now the swirl of water round a bar of shingle, now the chafing of the stream among the alder roots, and now the soft sound of ripples on a sandy shallow. Round the broad green knoll that rises from the river, filling all the centre of the valley, and almost islanded by wandering streams, cluster the houses of the hamlet, whose white walls and brown and moss-grown roofs of thatch, whose pointed gables and quaint deep-sunk dormer windows show plainly now among sheltering elms, that in the summer-time will hide them in a very bower of green.
High over the roofs of the village, high even above the topmost trees, rises the grey tower of the church. Round its turrets a troop of daws are fluttering. Is it only fancy, or is there really a note of protest and impatience in their snatches of clear-cut speech? For weeks past these bold frequenters of the church have been piling sticks upon the turret stair, by way of foundation for their great untidy nests. They had strewn a cartload of rubbish over the floor of the belfry, when the sexton arose in his wrath and blocked up all the tower windows and the loophole lights of the stairway, so that the daws were compelled to change their quarters to the roofs of the village. But they still linger round their ancestral homestead, and one pair, determined not to quit altogether the sacred precincts that have sheltered them and theirs for generations, have established themselves in a niche behind the iron pipe of the stove. It is a hole that might just contain the nest, but the birds have thought it necessary to fill up with sticks a yard or more of the space between the chimney and the tower wall, as if by way of outworks to their fortress.
A flood of sunshine is falling at this moment on the ancient tower, on the brown thatch of the old houses, on the purple lacework of the budding elms, until the whole beautiful picture stands clear-drawn against the soft background of the far hillside, still all in shadow. The sunlight glitters on the slate roofs of houses lower down, and flashes on the winding river until every reach of it is a sheet of burnished silver. Now it brightens yet more the vivid green of the meadows, now it touches the red slopes of distant corn-lands, and now it seems to linger on a far shoulder of the moor, whose brown heath and dead grey gorse bushes, and ancient thorn trees straggling up the hill, are transfigured to a very vision of glory by the dreamy, sunlit haze.
Dream-like, too, is the quiet that broods over this peaceful valley—a quiet even deepened by those Voices Three, of the wind, and the birds, and the river. No sound of toil or traffic rises from the village, save the clink of iron in the smithy, the thud of a woodman's axe among the young alders by the water, or, still more rarely, the lumbering of a cart along one of the deep lanes that slope upward to the moor, or that wander with the winding streams. The wind that sways the oak boughs overhead has a stormy sound. But this sheltered corner under the hill, with its screen of thick-growing fir and holly, is full of the warm south, of soft and gentle airs, scented with the sweet resinous fragrance of the pines.
And all the while, louder than the rush of the wind, clearer far than the sound of the river, there float from tree to tree the happy voices of the woodland singers. Everywhere among the leafless boughs the chiff-chaffs are calling. Here and there along the slope a tree pipit, rising high above his station upon some yet wintry branch, sinks slowly downward through the sunny air, singing as he sinks, till he alights again upon his windy perch. Loud above all other sounds there strikes in now and then the whistle of a blackbird, wild and clear, and at times the yet sweeter carol of the blackcap. Rooks call hoarsely to each other as they pass, on the way to their great settlement far down the river. At times the white pigeons of the vicarage, hovering a moment in mid-air, descend like a shower of snowflakes on their dovecot. From the shelter of the old Scotch firs at the far end of the wood, where the trees have long been left untouched, come now and then the deep notes of carrion crows, low-toned, sullen, unmirthful. They are ill neighbours for all the weaker children of the wood. Later on in the season, the edge of the Punch Bowl, that great hollow beyond the oak coppice, whose rim just shows against the sky line, the hollow where the red deer are so fond of lying, will be strewn with broken eggs of black game and pheasant, the spoil of raids in the heather and the covert. And here, too, scattered under the trees, are broken ringdoves' eggs, bearing plainly the marks of those black-coated, merciless marauders. From that corner too, out of the jungle of broom, and hazel, and wild-briar, comes at intervals the crow of a pheasant—a strident and far-reaching cry, different altogether from all other woodland voices. And in every tree along the slope willow warblers are crooning, over and over, their dainty snatches of sweet, low-toned song. It is a sleepy tune; a leisurely cadence of soft sounds, suggestive of sunshine and the summer, of
"Music, that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes."