The wanderer bows,—to feverish sleep consigned,
He hears the rushing rill, and feels the cooling shower.'
While Branwell's mind was rendered bright by the sunny hopes of a happy future, he was enabled to write with pathos, coherency, and beauty, as is shown in the foregoing sonnets. But it was his misfortune that his mind was hung too finely upon the balance, and that, as the phantasy of his affections grew upon him, he became, as will hereafter be demonstrated, the victim of an 'overheated and discursive imagination,' and at last 'betrayed that monomaniac tendency' which Lucy Snowe says she 'has ever thought the most unfortunate with which man or woman can be cursed.' He became, in fact, almost as soon as the new passion had taken full possession of his heart, a miserable victim to that morbid tendency of the mind which, in far lesser degree, characterized his sister Charlotte, and of which she seems to have lived in occasional dread. It may be noted that when Lucy Snowe is seeking wildly the letter, which has been stolen away from her, she accuses herself of monomania. These mental perturbations grew upon Branwell day by day.
Time passed on; and, when he had been with his employer some two years and a half, during the concluding portion of which the control he had exercised over himself was giving way, he began to exhibit the strange irregularities of his disposition, and the irresistible fervour of his long-suppressed and feverish passion. Great patience and forbearance were exercised towards him by the lady of the house; and her sincere regard for the feelings of his family forbade her, on the first blush of the affair, to be the means of his dismissal from his employment. He was not, indeed, dismissed until the step became an absolute necessity. The banishment from his post was not, however, long delayed, for Branwell had lost his former self-control; and his imprudence overcame the reluctance of the lady, who at length made known to her husband, while Branwell was absent at home, on his holiday, in the July of 1845, what his conduct had been. A letter was at once sent to him by his employer, conveying the intimation of his dismissal.
We have been told much in Charlotte Brontë's letters to her friend 'E,' and in the works of Mrs. Gaskell and other writers, concerning this event, which laid prostrate the hopes of Branwell, that requires both comment and correction. We have already seen to what a low state of mind and body Branwell was for a time reduced by his dismissal from Luddenden Foot; but his condition in both was as that of sound health, compared with his utter prostration on his expulsion from his last employment,—a condition which renders any adequate description impossible. He had, indeed, been supremely happy. For him, the sun of prosperity had shone with unsullied splendour, and the rivers of hope had flowed with music richer and deeper than any of earth. The roses that bloomed in the paradise of his fervid imagination, were brighter—and, as he thought, far more lasting—than those, far-famed, of Suristan, and the green pastures of his hopeful aspirations were more fertile and fragrant than he had ever thought possible to him in the years gone by. But, suddenly, the paradise which his poetic and imaginative spirit had created, was changed, without a moment's warning, to a region of sleepless nights and wretched days,—'eleven continuous nights of sleepless horror' he afterwards speaks of,—where his mind, dismayed and incoherent, reeled and shook in agony intense and ungovernable.
The distress of the Brontë family on this reverse of Branwell's prospects can scarcely be conceived in its entirety. So deeply agonizing was the then state of his affairs, that they could think of nothing else; and, in their sorrow, had no heart to contemplate the future. It was under the immediate influence of this misery that Anne Brontë wrote her pathetic poem, 'Domestic Peace,' in which she deplores the changed conditions of the family. Charlotte had just returned home from a visit to her friend, and found her brother in the condition I have described. Thus she speaks of it, under the date of July the 31st, 1845: 'It was ten o'clock at night when I got home. I found Branwell ill. He is so very often, owing to his own fault. I was not therefore shocked at first. But when Anne informed me of the immediate cause of his present illness I was very greatly shocked. He had last Thursday received a note from Mr. ——, sternly dismissing him…. We have had sad work with him since. He thought of nothing but stunning or drowning his distressed mind. No one in the house could have rest, and at last we have been obliged to send him from home for a week with some one to look after him. He has written to me this morning, and expresses some sense of contrition for his frantic folly. He promises amendment on his return, but so long as he remains at home I scarce dare hope for peace in the house. We must all, I fear, prepare for a season of distress and disquietude. I cannot now ask Miss —— or anyone else.'
Branwell's distress had proved so really acute at the disgrace which had befallen him that Mr. Brontë, becoming alarmed for the consequences, decided to send his son away to new scenes in the hope of diverting his mind from the subject. That this was, to some extent, successful is evident from Branwell's letter to his sister, in which his natural feelings and repentant disposition found expression. Branwell had remembered his former visit to Liverpool, and selected that place on this occasion, and sailed thence to the coast of Wales. The sad feelings that impressed him on the voyage were afterwards expressed in verse.
CHAPTER IV.
'BRANWELL'S FALL,' AS SET FORTH IN THE BIOGRAPHIES OF HIS SISTERS.