English Monastic Life

by Francis Aidan Gasquet

At the coming of the superior all rose from their knees, returned his salutation, and at once bowed down for what was known as the “Triple-prayer”—the Pater, Ave, and Creed—with which the night Office always commenced. Then the weekly antiphoner at a sign from the superior gave out the first of the “Fifteen,” or “Gradual” psalms. Great importance was always attached to the recitation of these psalms, and all the obedientiaries were bound to be present, except the guest-master when his duty to any stranger took him away, or the cantor on a day when any proper Lessons had to be read at Matins, and he was occupied officially in finding the places in the great chained book at the choir lectern. At the end of these psalms, by which, on all but the great feasts, the night Office was commenced, those officials who had duties to perform departed from the choir during the interval between the Psalms and the second ringing of the bells for the beginning of Matins proper.

When the second night-tolling ceased, at a sign from the superior, the hebdomadarian of the week, who had to sing the daily High Mass, began the Office with the usual Deus in adjutorium. This weekly official was bound always to be present at Matins during the time of his office when he sang the Mass; and so strict indeed was the law of connection between Matins and the Mass, that should the hebdomadarian be unable for any reason to be present at the former, he had to obtain the services of some priest who could assist at Matins, to sing the Mass for him.

After the Invitatory, which was said or sung by the weekly antiphoner, either alone or with a companion, or on the great feasts by the cantor and his assistant, the superior, or hebdomadarian priest, gave out the first antiphon, and the rest of the antiphons were taken in turns by the seniors on either side. At the conclusion of the psalms of each Nocturn, the reader appointed for the first Lesson fetched the lighted candle, bowed to either choir and to the abbot if he were present, and then ascending the steps of the reading-place, so held the candle that its light fell as he desired on the book which had been prepared by the cantor. Before beginning his reading he asked the usual blessing, bowing down from the place where he stood towards the abbot or superior, who gave it sitting in his stall. The Lesson was followed by the Responsorium, during which the reader of the Lesson made way for another, who had been appointed on the cantor’s official list for the second Lesson, and so on, till after the last Lesson had been read, when the reader carried back the light to the place whence the first reader had brought it, that it might be found ready for the Lessons of the next Nocturn. In some places the readers of the fourth, eighth, and twelfth Lessons were told to extinguish the candle, taking care that it did not smoke so as to annoy the brethren. It was to be lighted again by one of the novices appointed for the purpose during the last psalm of each Nocturn.

If the abbot was to sing the twelfth Lesson, or to take part in a Responsory, or other portion of the service, as he did on the great festivals, the cantor had to come with the abbot’s chaplain and others to his stall, bringing the necessary books with lights carried by servers, and the cantor in a low voice was to assist him in the singing. On feasts with twelve Lessons, whilst the Te Deum was being chanted, preparations were made for the solemn singing of the portion of the Gospel selected for the Office of the day. The church servants brought into the choir a portable reading-desk, which they placed at the steps leading to the presbytery. Others brought a cope of the colour of the day, with an amice, stole, and maniple. Meanwhile the sacrist had fetched the book of the Gospels with some solemnity from the altar, and had placed it on the desk, where the cantor was waiting to find the proper place. Having done so, at the indicated verse in the Te Deum, the cantor went to the stall of the hebdomadarian of the Mass, and bowing to him conducted him to the desk, assisted him to vest, and pointed out to him the place in the Holy Gospels that had to be sung or read. Meanwhile the servers had come into the choir from the sacristy with incense and lights, and when the Te Deum was concluded all turned towards the priest whilst he chanted the appointed Gospel, and finished Matins with the prayer of the day.

Immediately the bells began to ring for Lauds, and during the brief interval the priest unvested, and with the usual bow to each choir, which was slightly acknowledged by the monks on either side, he returned to his stall to wait till the cessation of the ringing gave the signal for the beginning of the next canonical Hour. Meantime the incense and lights had been taken back into the vestry, and the sacrist, having carried the Gospel-book back to the altar, the servants removed the desk out of the choir. The cantor busied himself during the interval at the great chained Antiphonary on the lectern, in order to see that all the places of Lauds were marked, and that the hanging lantern in front of the book was burning brightly enough to light up the great parchment page with its large square notes and big letters. In this interval the monks either remained sitting in their stalls with their hoods covering their heads, or they could take the opportunity of leaving the choir, to restore their circulation by a brisk turn in the cloister, or for any other purpose.

2. LAUDS

In ancient days the Office of Lauds was called Matutinæ Laudes—“the morning praises”—because they were supposed to be always celebrated at dawn of day. In mediæval monasteries, however, this canonical Hour was generally said or sung, with only a short interval between it and Matins. It would, therefore, have been probably somewhere about one o’clock in the morning that Lauds usually began.

If the feast was of sufficient rank for the hebdomadarian to be vested in a cope, he then occupied the stall next to the abbot; if not, he remained in his own place, and, when the tolling of the bell ceased and gave notice of the conclusion of the interval, he at once intoned the Deus in adjutorium for the beginning of Lauds. It was his place to give out the first antiphon, the second being taken by the abbot, or by the first religious in choir. The rest of the antiphons were given out as at Matins, by one on each side in turn. The Chapter—called the “Little Chapter”—was supposed to be known by heart, and no book or light was allowed to be used in saying it.

The hebdomadarian gave out the antiphon of the Benedictus, and if he were vested in cope he would have to incense the altar or altars during the singing of that canticle. For this purpose two thurifers, and acolytes bearing candles, came from the sacristy before the antiphon was begun, and the thurifers, after the incense had been blessed by the abbot, accompanied the hebdomadarian to the High Altar, returning whence they had come after the ceremony had been performed. On Sundays, at the conclusion of Lauds, the hebdomadarian gave the blessing to the outgoing and incoming weekly servers.