[65]. Athenæum, III. 87 f., in Talks about Poetry.
[66]. Aesthetik, Berlin, 1842.
[67]. See p. 663.
[68]. Problèmes de l’Esthétique Contemporaine, p. 172.
[69]. Ibid., p. 150,—“ce poëte sans le rhythme.”
[70]. Gautier, too, thought that Flaubert had “invented a new rhythm” in prose, and described it; see the report of this, Journal des Goncourt, 1862, January 1. But later, in the same journal (1876, February 24), Goncourt refers all this sort of thing to Chateaubriand: “sa belle prose poétique, mère et nourrice de toutes les proses colorées de l’heure actuelle....”
[71]. L’Art au Point de Vue Sociologique, p. 312.
[72]. See Humboldt, Werke, VI. 230 ff.
[73]. “Briefe über Poesie, Sylbenmaas und Sprache,” first in Schiller’s Horen, reprinted in the Charakteristiken und Critiken, I. 318 ff.; Werke, ed. Böcking, VII. 98 ff.
[74]. Wettstreit der Sprachen, Böcking, VII. 199.