Upon the report of the printing of the Dramaticall Poems of Master John
Fletcher, collected before, and now set forth in one Volume.
Though when all Fletcher writ, and the entire
Man was indulged unto that sacred fire,
His thoughts, and his thoughts dresse, appeared both such,
That 'twas his happy fault to do too much;
Who therefore wisely did submit each birth
To knowing Beaumont e're it did come forth,
Working againe untill he said 'twas fit,
And made him the sobriety of his wit;
Though thus he call'd his Judge into his fame,
And for that aid allow'd him halfe the name,
'Tis knowne, that sometimes he did stand alone,
That both the Spunge and Pencill were his owne;
That himselfe judged himselfe, could singly do,
And was at last Beaumont and Fletcher too;
Else we had lost his Shepherdesse, a piece
Even and smooth, spun from a finer fleece,
Where softnesse raignes, where passions passions greet,
Gentle and high, as floods of Balsam meet.
Where dressed in white expressions, sit bright Loves,
Drawne, like their fairest Queen, by milkie Doves;
A piece, which Johnson in a rapture bid
Come up a glorifi'd Worke, and so it did.
Else had his Muse set with his friend; the Stage
Had missed those Poems, which yet take the Age;
The world had lost those rich exemplars, where
Art, Language, Wit, sit ruling in one Spheare,
Where the fresh matters soare above old Theames,
As Prophets Raptures do above our Dreames;
Where in a worthy scorne he dares refuse
All other Gods, and makes the thing his Muse;
Where he calls passions up, and layes them so,
As spirits, aw'd by him to come and go;
Where the free Author did what e're he would,
And nothing will'd, but what a Poet should.
No vast uncivill bulke swells any Scene,
The strength's ingenious, a[n]d the vigour cleane;
None can prevent the Fancy, and see through
At the first opening; all stand wondring how
The thing will be untill it is; which thence
With fresh delight still cheats, still takes the sence;
The whole designe, the shadowes, the lights such
That none can say he shelves or hides too much:
Businesse growes up, ripened by just encrease,
And by as just degrees againe doth cease,
The heats and minutes of affaires are watcht,
And the nice points of time are met, and snatcht:
Nought later then it should, nought comes before,
Chymists, and Calculators doe erre more:
Sex, age, degree, affections, country, place,
The inward substance, and the outward face;
All kept precisely, all exactly fit,
What he would write, he was before he writ.
'Twixt Johnsons grave, and Shakespeares lighter sound
His muse so steer'd that something still was found,
Nor this, nor that, nor both, but so his owne,
That 'twas his marke, and he was by it knowne.
Hence did he take true judgements, hence did strike,
All pallates some way, though not all alike:
The god of numbers might his numbers crowne,
And listning to them wish they were his owne.
Thus welcome forth, what ease, or wine, or wit
Durst yet produce, that is, what Fletcher writ.
Another.
Fletcher, though some call it thy fault, that wit
So overflow'd thy scenes, that ere 'twas fit
To come upon the Stage, Beaumont was faine
To bid thee be more dull, that's write againe,
And bate some of thy fire, which from thee came
In a cleare, bright, full, but too large a flame;
And after all (finding thy Genius such)
That blunted, and allayed, 'twas yet too much;
Added his sober spunge, and did contract
Thy plenty to lesse wit to make't exact:
Yet we through his corrections could see
Much treasure in thy superfluity,
Which was so fil'd away, as when we doe
Cut Jewels, that that's lost is jewell too:
Or as men use to wash Gold, which we know
By losing makes the streame thence wealthy grow.
They who doe on thy worker severely sit,
And call thy store the over-births of wit,
Say thy miscarriages were rare, and when
Thou wert superfluous, that thy fruitfull Pen
Had no fault but abundance, which did lay
Out in one Scene what might well serve a Play;
And hence doe grant, that what they call excesse
Was to be reckon'd as thy happinesse,
From whom wit issued in a full spring-tide;
Much did inrich the Stage, much flow'd beside.
For that thou couldst thine owne free fancy binde
In stricter numbers, and run so confin'd
As to observe the rules of Art, which sway
In the contrivance of a true borne Play:
These workes proclaime which thou didst write retired
From Beaumont, by none but thy selfe inspired;
Where we see 'twas not chance that made them hit,
Nor were thy Playes the Lotteries of wit,
But like to Durers Pencill, which first knew
The lawes of faces, and then faces drew:
Thou knowst the aire, the colour, and the place,
The simetry, which gives a Poem grace:
Parts are so fitted unto parts, as doe
Shew thou hadst wit, and Mathematicks too:
Knewst where by line to spare, where to dispence,
And didst beget just Comedies from thence:
Things unto which thou didst such life bequeath,
That they (their owne Black-Friers) unacted breath.
Johnson hath writ things lasting, and divine,
Yet his Love-Scenes, Fletcher, compar'd to thine,
Are cold and frosty, and exprest love so,
As heat with Ice, or warme fires mixt with Snow;
Thou, as if struck with the same generous darts,
Which burne, and raigne in noble Lovers hearts,
Hast cloath'd affections in such native tires,
And so describ'd them in their owne true fires;
Such moving sighes, suc[h] undissembled teares,
Such charmes of language, such hopes mixt with feares,
Such grants after denialls, such pursuits
After despaire, such amorous recruits,
That some who sate spectators have confest
Themselves transformed to what they saw exprest,
And felt such shafts steale through their captiv'd sence,
As made them rise Parts, and goe Lovers thence.
Nor was thy stile wholly compos'd of Groves,
Or the soft straines of Shepheards and their Loves;
When thou wouldst Comick be, each smiling birth
In that kinde, came into the world all mirth,
All point, all edge, all sharpnesse; we did sit
Sometimes five Acts out in pure sprightfull wit,
Which flowed in such true salt, that we did doubt
In which Scene we laught most two shillings out.
Shakespeare to thee was dull, whose best jest lyes
I'th Ladies questions, and the Fooles replyes;
Old fashioned wit, which walkt from town to town
In turn'd Hose, which our fathers call'd the Clown;
Whose wit our nice times would obsceannesse call,
And which made Bawdry passe for Comicall:
Nature was all his Art, thy veine was free
As his, but without his scurility;
From whom mirth came unforced, no jest perplext,
But without labour cleane, chast, and unvext.
Thou wert not like some, our small Poets who
Could not be Poets, were not we Poets too;
Whose wit is pilfring, and whose veine and wealth
In Poetry lyes meerely in their stealth;
Nor didst thou feele their drought, their pangs, their qualmes,
Their rack in writing, who doe write for almes,
Whose wretched Genius, and dependent fires,
But to their Benefactors dole aspires.
Nor hadst thou the sly trick, thy selfe to praise
Under thy friends names, or to purchase Bayes
Didst write stale commendations to thy Booke,
Which we for Beaumonts or Ben. Johnsons tooke:
That debt thou left'st to us, which none but he
Can truly pay, Fletcher, who writes like thee.
William Cartwright.
On Mr FRANCIS BEAUMONT (then newly dead.)
He that hath such acutenesse, and such witt,
As would aske ten good heads to husband it;
He that can write so well that no man dare
Refuse it for the best, let him beware:
BEAUMONT is dead, by whose sole death appeares,
Witt's a Disease consumes men in few yeares.
RICH. CORBET. D.D.
To Mr FRANCIS BEAUMONT (then living.)
How I doe love thee BEAUMONT, and thy Muse,
That unto me do'st such religion use!
How I doe feare my selfe, that am not worth
The least indulgent thought thy pen drops forth!
At once thou mak'st me happie, and unmak'st;
And giving largely to me, more thou tak'st.
What fate is mine, that so it selfe bereaves?
What art is thine, that so thy friend deceives?
When even there where most than praisest me,
For writing better, I must envy thee.