Romanesque presbytery, crypt, and two bays of the nave have been allowed to remain to this day.
Beverley Minster
What looks like a survival of the marble chair of the bishop is to be seen in the frithstols of Hexham and Beverley ([106]). These also are of masonry, and are so similar in design to the ancient marble thrones that one is tempted to speculate that the original usage of sanctuary was for the offender to fly to and occupy the actual throne of the bishop or archbishop.
As has been said, in the Early Christian churches both the altar and the seats of the bishop and his clergy were usually at the west end of the church to the west of the High altar, so that the clergy faced towards the east, while the congregation faced towards the west. But early examples occur of churches with the modern orientation. When this was the case, the congregation faced east; and where the ancient position of the throne and benches was retained, the clergy were left in an anomalous position facing west. This led, first to the clergy, then the bishop, migrating elsewhere. The higher clergy took up their position in the return stalls of the choir, facing east; the lower clergy occupied stalls north and south of the choir. As for the bishop, he could not seat himself as before, facing the altar, for his throne would have blocked the entrance into the presbytery. He therefore set up his throne on the south side of the choir, at the eastern end of the southern range of stalls. And this is where we find him in Gothic days. There is one chief exception. In cathedrals served by monks, the bishop was the titular abbot of the house, though the superintendence of the monastery had necessarily to be left mainly in the hands of the prior; and so to this day in some churches the bishop has no throne, but occupies the ancient abbot's stall—at Ely the stall of the Benedictine abbot, at Carlisle the stall of the Augustinian abbot.
Durham
The change of position from the back of the High altar to the front of it was a complete break with tradition. Equally complete was the break in design. In the design of the Gothic throne there is no reminiscence whatever of the marble chairs of the Early Christian basilicas and the Pagan Thermæ. The Gothic thrones are but glorified versions of such stalls and spirelet-tabernacles as those of Lincoln; they are spacious stalls, sometimes, as at St David's, big enough to hold a bishop and two chaplains, and crowned with a spire of open woodwork. The earliest and grandest is that of Exeter cathedral; the Fabric Rolls shew that in 1312 during the episcopate of Bishop Stapledon there was paid "for timber for the bishop's seat £6. 12s. 8½d." The oak was kept four years before it was used. Then £4 was paid to Robert de Galmeton "for making the bishop's seat by contract." There was also a charge of 30s. for
painting, and there must have been one for carving the statues in the canopy. The whole cost would be about £13; say £200 in our money; a sum surprisingly small for work of such magnitude and delicate detail. The throne was evidently intended to have a chair placed under it, and probably seats for the bishop's chaplains to the right and left. It is 57 feet high; at present its niches look somewhat unsubstantial and meagre; but that is because all the niches were tenanted with statues, and all have disappeared. The carved foliage is of exceptional excellence, and the corners of the pinnacles are occupied with small heads of oxen, sheep, dogs, pigs, monkeys and other animals ([102]).