CHAPTER VIII
CHAIRS IN CHURCHES
Hardly anything in a cathedral has so venerable a history as the throne and chair of the Bishop, of wood or ivory. The origin of this type of Bishop's chair goes back to Pagan Rome. There the greater officials had two official chairs, both portable; one, the "sella curulis" in which they sat while administering justice; the other, the "sella gestatoria" in which they were carried in procession. The "sella curulis" was a folding chair with crossed legs like the chair of Dagobert in the Hotel Cluny, Paris: chairs of this form are still in use in many Continental cathedrals.
The "sella gestatoria" was a kind of sedan chair, shaped like a settle; with high back and usually without arms; it was provided with rings through which were passed staves when it was borne in procession. Similar is the Pope's chair in St Peter's, Rome, last shewn in 1867 ([112]). It is said to have belonged to the Senator Pudens and to have been used by St Peter. Whether that be so or not, it is undoubtedly very ancient, and its legs may be of the Apostolic age; they are of yellow oak, worm-eaten, and chipped by pilgrims who carried away bits as relics; the seat and back are of acacia wood and are of a later period. This back is ornamented with ivory panels carved to represent the Labours of Hercules; the panels are probably of the ninth century, for among the decorations is a bust with a crown bearing fleurs de lis, and what seems to be a portrait of Charles the Bald.[[66]] Very similar is the chair in which St Silvester is represented as seated in the dome of the apse of St John Lateran, where the mosaics are those of 1291, copied probably from the original ones executed in 428. Similar chairs also appear in the mosaics of Sta. Pudentiana and other Roman basilicas, and in those of Santa Sophia, Constantinople.
Pope's Chair
In the Archbishop's chapel at Ravenna is preserved a chair made for Maximian who was Archbishop of Ravenna from 546 to 556. It is in wood entirely covered with plaques of ivory, arranged in panels, with Scriptural subjects—among others the story of Joseph—and figures of saints richly carved in high relief. The plaques have borders with foliated ornaments, birds and animals, flowers and fruit, filling the spandrels.