“No,” he said, “you mustn’t think that. You’re so straight. You need never think that for one moment. Even if it were difficult I should be perfectly straight with you. We began that way. We mustn’t ever be anything else. Or else . . . or else there’d be an end of . . . of what makes our friendship unlike any other that I have known. I shall never hide anything from you. Do you understand? Is that quite clear?”

She said: “Yes, I understand. I feel like that too . . .”

“Oh, but you . . .” he said. And he couldn’t say any more. It was not seldom that he found himself at a loss for words in his dealings with Eva.

For two or three days M‘Crae lay close to the grass wall of his banda, listening to the talk of the boys. For the most part it was a thankless and a straining task; for they talked nearly always of things which had no part in his problem: of their own life under the leaves, of James, whom they had christened N’gombe, or Ox, for the obvious reason that he was a vegetarian. Only here and there could he pick out a sentence that referred to Sakharani—it was certain that the Waluguru were afraid to speak of him—but in the end he learned enough to confirm the story of the Masai: that the Waluguru were a people among whom an old religion, connected in some way with the procreative powers of nature and the symbol of the waxing moon, survived; that this faith and its rites were associated by tradition with the hill named Kilima ja Mweze, on which the house of Godovius was built, and that a white man, now identified with Sakharani, was in some way connected with its ritual. How this might be, M‘Crae could not imagine; for the thing seemed to him contrary to all nature. There was no reason for it that he could see, and the mind of M‘Crae worked within strictly logical boundaries. He hadn’t any conception of the kind of brain which filled Godovius’s head. He simply knew that to the Waluguru he was the power they feared most on earth, as a savage people fears its gods. He was anxious to know more; this was exactly the sort of adventure for which he had lived for thirty years.

One other thing troubled him. He was certain that at some time or other he had heard a story about Godovius which now he couldn’t remember; he could not even remember when or where he had heard it. But one morning, when the light which penetrated the grass walls of his banda wakened him, it suddenly returned to him; suddenly and so clearly that he wondered how he could ever have forgotten it. It concerned a woman: in all probability the woman in the photograph which Eva had seen. Of her origin he knew nothing, nor even how she had come to live with Godovius. In those days there had been another man at Njumba ja Mweze, a planter, expert in coffee, who had ordered the cultivation of Godovius’s terraced fields. His name was Hirsch. He had rather fancied himself as an artist in the violent Bavarian way, and it was probable that the pictures of native women on Godovius’s walls were his work. One day while the Waluguru were clearing the bush from a new patch of coffee-ground near the house they had disturbed and killed a big black mamba, one of the most deadly of African snakes. He had brought it into the house to show Godovius, who straightway discovered in it the making of an excellent practical joke. For the woman who shared their house had always lived in dread of snakes, and the dead monster coiled in her bed might very well give her a pretty fright. The joke was carefully arranged, the woman sent to bed by candlelight and the door of her room locked by Godovius as soon as she had entered. They had waited outside to listen to her shrieks of terror and she had shrieked even louder and longer than they had expected. An altogether admirable entertainment. At last she stopped her shrieking. They supposed that she had suddenly appreciated the humour of the situation. They thought that she would come out and tell them so; but she didn’t—and Godovius, supposing that she was sulking, unlocked the door and went in to console her. She was lying on the bed, very white, beside the dead snake; and there was a living snake there too, which slid away through the window when Godovius entered the room. It was the mate of the dead mamba which had followed the scent of its comrade into the room and attacked the woman as soon as she appeared. She died the same evening. No one that has been bitten by a black mamba lives. It was an unpleasant story and probably would never have been known if Godovius had not quarrelled with Hirsch a few months later. Hirsch had told it to a couple of men who had come through on a shooting trip at Neu Langenburg, in the hotel where he eventually drank himself to death; for he never returned to Munich, being barely able to keep himself in liquor with the money which he earned by painting indecent pictures for the smoking-rooms of farmers on remote shambas. M‘Crae had heard the yarn in Katanga. A horrible business; but one hears many strange things, and stranger, between the Congo and German East. Now, remembering it, he thought of the pathetic figure in the photograph which had shocked Eva. And this time the thing seemed more real to him, even if it had little bearing on the dangers of their present situation. He realised that he was beginning to be sentimental to a degree on the subject of women. And when he thought of women in the abstract it was easy to find a concrete and adorable example in the shape of Eva herself. He smiled at himself rather seriously, remembering his age, his vagrant way of life, his tough, battered body, the disfigurement of his lopped arm.

III

On an evening of unparalleled heaviness Godovius came at last to Luguru. He rode down in the stifling cooler air which passed for evening, tied his pony to the post of the gate and, crossing the front of the stoep on which James languished without notice, made straight for the sand-paved avenue of flamboyant trees where he knew that Eva would be found. This time there was no question of her running away from him. He came upon her midway between the house and M‘Crae’s banda, and she would have done anything in the world to prevent him approaching nearer to this danger-point. She stood still in the path waiting for him. It was a moment when the light of the sun was hidden by monstrous tatters of black cloud, and this suppression of the violence of white light intensified for a while a great deal of rich colour which might never have been seen in the glare of day; the tawny sand with which the avenue was floored, the rich green of the acacia leaves, the inky hue of those imminent masses of cloud . . . even the warm swarthiness of Godovius’s face: the whole effect being highly coloured and fantastic as befitted this scene of melodrama. There is no doubt but that it showed Eva herself to advantage. Godovius paused to admire.

“The light of storms becomes you, Miss Eva,” he said, smiling. “Nature conspires to show you at advantage . . . to advantage . . .”

It seemed to her strangely unsubtle that he should talk to her in this way; for she was sure that he knew perfectly well what she was feeling. Why should they trouble themselves with such elaborate pretence? She said:

“Why have you come here?”