“All Hungarians worship America,” he said, “and when I saw that you were an American, I knew that my good-fortune had begun in earnest. Of course, I believed America to be the land of plenty, and there could have been no stronger proof of this than the generosity with which you, the first American I had ever seen, gave me, a perfect stranger, such a valuable prize. When I remembered the number of the ticket and the letter in the alphabet, Y, to which this number corresponds, I was dazed at the significance of the omen, and resolved at once to seek my fortune in the United States. I sold the order on the tailor for money enough to buy a suit of ready-made clothes and pay my fare to Genoa. From this port I worked my passage to Gibraltar, and thence, after performing a few weeks in a small English circus, I went to New York in a fruit-vessel. As long as I was in America everything prospered with me. I made a great deal of money, and spent a great deal. After a couple of years I went to London with a company, and there lost my pay and my position by the failure of the manager. In England my good-luck all left me. Circus people are too plenty there; everybody is an artist. I could scarcely get anything to do in my line, so I drifted over to Paris.”
We prolonged our stroll for an hour, for, although I did not anticipate any pleasure or profit from continuing the acquaintance, there was yet a certain attraction in his simplicity of manner and in his naïve faith in the value of my influence on his fortunes. Before we parted he expressed again his ability to get me something to do, but I did not credit his statement enough to correct the impression that I was in need of employment. At his earnest solicitation I gave him my address, concealing, as well as I could, my reluctance to encourage an acquaintance which would doubtless prove a burden to me.
One day passed, and two, and, on the third morning, the porter showed him to my room.
“I have found you work!” he cried, in the first breath.
Sure enough, he had been to a Polish acquaintance who knew a countryman, a copyist in the Louvre. This copyist had a superabundance of orders, and was glad to get some one to help him finish them in haste. My gymnast was so much elated over his success at finding occupation for me that I hadn’t the heart to tell him that I was at leisure only while hunting a studio. I therefore promised to go with him to the Louvre some day, but I always found an excuse for not going.
For two or three weeks we met at intervals. At various times, thinking he was in want, I pressed him to accept the loan of a few francs; but he always stoutly refused. We went together to his lodging-house, where the landlady, an Englishwoman, who boarded most of the circus people, spoke of her “poor, dear Mr. Nodge,” as she called him, in quite a maternal way, and assured me that he had wanted for nothing, and should not as long as his wound disabled him. In the course of a few days I had gathered from him a complete history of his circus-life, which was full of adventure and hardship. When we met in Turin, he was, as I thought at the time, somewhat of a novice in the circus business, having left his home less than two years before. He had, indeed, been associated as a regular member of the company only a few months, after having served a difficult and wearing apprenticeship. He was born in Koloszvar, where his father was a professor in the university, and there he grew up with three brothers and a sister, in a comfortable home. He always had had a great desire to travel, and, from early childhood, developed a special fondness for gymnastic feats. The thought of a circus made him fairly wild. On rare occasions a travelling show visited this Transylvanian town, and his parents with difficulty restrained him from following the circus away. At last, in 1873, one show, more complete and more brilliant than any one before seen there, came on the newly opened railway, and he, now a man grown, went away with it, unable longer to restrain his passion for the profession. Always accustomed to horses, and already a skilful acrobat, he was immediately accepted by the manager as an apprentice, and, after a season in Roumania and a disastrous trip through Southern Austria, they came into Northern Italy, where I met him.
Whenever he spoke of his early life he always became quiet and depressed, and, for a long time, I believed that he brooded over his mistake in exchanging a happy home for the vicissitudes of Bohemia. It came out slowly, however, that he was haunted by a superstition, a strange and ingenious one, which was yet not without a certain show of reason for its existence. Little by little I learned the following facts about it: His father was of pure Szeklar, or original Hungarian, stock, as dark-skinned as a Hindoo, and his mother was from one of the families of Western Hungary, with probably some Saxon blood in her veins. His three brothers were dark like his father, but he and his sister were blondes. He was born with a peculiar red mark on his right shoulder, directly over the scapula. This mark was shaped like a forked stick. His father had received a wound in the insurrection of ’48, a few months before the birth of him, the youngest son, and this birth-mark reproduced the shape of the father’s scar. Among Hungarians his father passed for a very learned man. He spoke fluently German, French, and Latin (the language used by Hungarians in common communication with other nationalities), and took great pains to give his children an acquaintance with each of these tongues. Their earliest playthings were French alphabet-blocks, and the set which served as toys and tasks for each of the elder brothers came at last to him as his legacy. The letters were formed by the human figure in different attitudes, and each block had a little couplet below the picture, beginning with the letter on the block. The Y represented a gymnast hanging by his hands to a trapeze, and, being a letter which does not occur in the Hungarian language except in combinations, excited most the interest and imagination of the youngsters. Thousands of times did they practise the grouping of the figures on the blocks, and the Y always served as a model for trapeze exercises. My friend, on account of his birth-mark, which resembled a rude Y, was early dubbed by his brothers with the nickname Yatil, this being the first words of the French couplet printed below the picture. Learning the French by heart, they believed the Y a-t-il to be one word, and, with boyish fondness for nicknames, saddled the youngest with this. It is easy to understand how the shape of this letter, borne on his body in an indelible mark, and brought to his mind every moment of the day, came to seem in some way connected with his life. As he grew up in this belief he became more and more superstitious about the letter and about everything in the remotest way connected with it.
The first great event of his life was joining the circus, and to this the letter Y more or less directly led him. He left home on his twenty-fifth birthday, and twenty-five was the number of the letter Y in the block-alphabet.
The second great event of his life was the Turin lottery, and the number of the lucky ticket was twenty-five. “The last sign given me,” he said, “was the accident in the circus here.” As he spoke, he rolled up the right leg of his trousers, and there, on the outside of the calf, about midway between the knee and ankle, was a red scar forked like the letter Y.
From the time he confided his superstition to me he sought me more than ever. I must confess to feeling, at each visit of his, a little constrained and unnatural. He seemed to lean on me as a protector, and to be hungry all the time for an intimate sympathy I could never give him. Although I shared his secret, I could not lighten the burden of his superstition. His wound had entirely healed, but, as his leg was still weak and he still continued to limp a little, he could not resume his place in the circus. Between brooding over his superstition and worrying about his accident, he grew very despondent. The climax of his hopelessness was reached when the doctor told him at last that he would never be able to vault again. The fracture had been a severe one, the bone having protruded through the skin. The broken parts had knitted with great difficulty, and the leg would never be as firm and as elastic as before. Besides, the fracture had slightly shortened the lower leg. His circus career was therefore ended, and he attributed his misfortune to the ill-omened letter Y.