This admirable speech has a remarkable coincidence with the following passage from "Parke's Curtaine-drawer of the world," 1612, 4to, p. 16, a work of very considerable merit. "The potency and power of magnificence and greatnesse dare looke sinne openly in the face in the very market place, and the eye of authority never takes notice thereof: the poore harlot must be stript and whipt for the crime that the courtly wanton and the citie-sinner ruffle out, and passe over and glory in, and account as nothing. The poore thiefe is hanged many times that hath stolne but the prise of a dinner, when sometimes hee that robbes both church and commonwealth is seene to ride on his footecloth." If this book was written according to its date, and Mr. Malone be right as to that of Lear, a fact which is not meant to be controverted, the merit of originality will rest with Shakspeare.
Scene 4. Page 241.
Edg. O, matter and impertinency mix'd.
This word was not used in its modern and corrupted sense of sauciness or intrusion, but merely to express something not belonging to the subject. Thus, an old collection of domestic recipes, &c., entitled, The treasurie of commodious conceits, 1594, is said to be "not impertinent for every good huswife to use in her house amongst her own familie." It does not seem to have been used in the sense of rude or unmannerly till the middle of the seventeenth century; nor in that of saucy till a considerable time afterwards.
Scene 4. Page 241.
Lear. ... we came crying hither.
Thou know'st, the first time that we smell the air,
We wawl and cry:——
Evidently taken from Pliny as translated by Philemon Holland. "Man alone, poor wretch [nature] hath laid all naked upon the bare earth, even on his birth day to cry and wrawle presently from the very first houre that he is borne into this world."—Proeme to book 7.
THE FOOL.
The fool in this play is the genuine domestic buffoon: but notwithstanding his sarcastical flashes of wit, for which we must give the poet credit, and ascribe them in some degree to what is called stage effect, he is a mere natural with a considerable share of cunning. Thus Edgar calls him an innocent, and every one will immediately distinguish him from such a character as Touchstone. His dress on the stage should be parti-coloured; his hood crested either with a cock's comb, to which he often alludes, or with the cock's head and neck. His bauble should have a head like his own with a grinning countenance, for the purpose of exciting mirth in those to whom he occasionally presents it.