, some account of this monogram, [115].
its owner employed by Plantin, the famous printer at Antwerp, [116].
Salisbury missal, singular cut in one, [172].
Sallaerts, an artist supposed to have been employed by Plantin the celebrated printer, [115], [116].
Sancta Clara, Abraham, a description of his “universal mirror of Death,” [151].
Sandrart, his notice of a work by Holbein at Whitehall, [145].
Schauffelin, Hans, a carving on wood by him described, [226].
Schellenberg, I. R. a Dance of Death by him, [154].
Schlotthaver, his edition of a Dance of Death, [249].
Silvius, or Sylvius, Antony, an artist at Antwerp, account of a monogram supposed to belong to him, [115].
Skeleton, use made of the human by the ancients, [3].
“Spectriana,” a modern French work, frontispiece to it described, [187].
Stelsius, his edition of a spurious copy of Holbein’s Bible cuts, [97].
Stettler, his drawings of the Macaber Dance of Death at Berne, [224].
“Stotzinger symbolum,” description of a cut so intitled, [174].
Stradanus, an engraving after him described, [197].
Susanna, a Latin play, [18].
Symeoni, “Imprese,” [179].
T.
Tapestry at the Tower of London, [227].
“Theatrum Mortis,” a work with a Dance of Death described, [129].
Tiepolo, a clever etching by him described, [197].
Title-pages connected with the Dance of Death, list of, [183].
Tory, Geoffrey, Horæ printed by him described, [172].
Tower of London, tapestry formerly there of a Dance of Death, [227].
Trois mors et trois vifs, [31], [33], [228].
Turner, Col., a Dance of Death by him, [207].
Turnham Green, some account of chalk drawings of a Dance of Death on a wall there, [210], [224].
Typotii symbola, [180], [182].
U.
Urs Graaf, his engravings noticed, [243].
V.
Vænius, Otho, some of his works mentioned, [182], [204].
Valckert, a clever etching by him described, [201].
Van Assen, a Dance of Death by him, [158].
Van Leyden, Lucas, [189].
Van Meckenen, Israel, his Dance of Death in circles, [160].
Van Sichem, his prints to the Bible, [177].
Van Venne, prints after him, [157], [182], [199], [209].
Verses that accompany the Dance of Death, [17].
Von Menzel, [207].
“Voyage pour l’eternité,” a modern Dance of Death, [157].
W.
Walpole, Mr. his mistake concerning the Dance of Death, [236].
Warton, Mr. his remarks on the Dance of Death, [237].
Weiss, Mr. author of some of the best lives in the “Biographie Universelle,” misled in his article “Macaber” by Champollion Figeac, [249].
Whitehall, fire at, [140].
painting of a Dance of Death there by Holbein, [141].
Wierix, John, some prints by him described, [194], [195].
Williams, Miss, her mistake concerning the Dance of Death at Basle, in her Swiss tour, [233].
Wolschaten, Geeraerdt Van, a Dance of Death by him, [130].
Wood, engravings on, the first impressions of them not always the best, [85].
Wood, Mr. his mistake concerning the Dance of Death in his “View of Switzerland,” [233].
Y.
“Youth’s Tragedy,” a moral drama, 1671, [175].
Z.
Zani, Abbate, of opinion that Holbein had no concern in the Lyons wood-cuts of the Dance of Death, [98], [101], [138].
Zuinger, his account of paintings at Basle, [139].
C. WHITTINGHAM, TOOKS COURT, CHANCERY LANE.
Footnotes:
[1] Iliad, and after him Virgil, Æn. vi. 278.
[2] Iliad IX. On an ancient gem likewise in Ficoroni’s Gemmæ Antiquæ Litteratæ, Tab. viii. No. 1, a human scull typifies mortality, and a butterfly immortality.
[3] Lib. ii. 78.
[4] Diarium, p. 212.
[5] Lib. xiii. l. 474.
[6] Epist. xxiv.