[77] Travels, iii. 328, edit. 4to.
[78] Survay of London, p. 615, edit. 1618, 4to.
[79] In Tottel’s edition these verses are accompanied with a single wood-cut of Death leading up all ranks of mortals. This was afterwards copied by Hollar, as to general design, in Dugdale’s St. Paul’s, and in the Monasticon.
[80] Annales, p. 596, edit. 1631. folio. Sir Thomas More, treating of the remembrance of Death, has these words: “But if we not only here this word Death, but also let sink into our heartes, the very fantasye and depe imaginacion thereof, we shall parceive therby that we wer never so gretly moved by the beholding of the Daunce of Death pictured in Poules, as we shal fele ourself stered and altered by the feling of that imaginacion in our hertes. And no marvell. For those pictures expresse only ye lothely figure of our dead bony bodies, biten away ye flesh,” &c.—Works, p. 77, edit. 1557, folio.
[81] Heylin’s Hist. of the Reformation, p. 73.
[82] Cotton MS. Vesp. A. xxv. fo. 181.
[83] Leland’s Itin. vol. iv. part i. p. 69.—Meas. for Meas. Act iii. sc. 1.
[84] Hutchinson’s Northumberland, i. 98.
[85] Warton’s H. E. Poetry, ii. 43, edit. 8vo.
[86] And see a portion of Orgagna’s painting at the Campo Santo at Pisa, mentioned before in p. 33.