I was not sorry that my engagements led me first to Åbo, for historically it is the most interesting town in Finland. It is true that it is robbed of its ancient glory as the capital of the country and the seat of its great university, for both the capital and the university have been removed within the last hundred years to the more eligible site of Helsingfors. But Åbo has lost little time in crying over spilt milk or bewailing its ancient glories. Especially of late she has been making the most of her fine situation, as the city nearest to its neighbor, Sweden, and has greatly developed its commercial possibilities.

The port is a mile or more away from the heart of the city, with which it is connected by a line of electric cars. Almost the first thing that I saw on landing was a huge building covered with gray plaster. I found it difficult to decide whether it was a warehouse, a factory, or a prison. I was wrong in all my guesses, for it was Åbo’s famous castle, one of the great historic landmarks of Finland, and now converted into a museum, where one can study the costumes, the ancient armor, the furniture, and the articles of home life of this hardy, vigorous race.

The scene of one of the most interesting pictures that I ever saw is laid in this old castle. It is by Edelfelt, and now hangs in the national gallery at Helsingfors.

In a room of state in the old fortress lies an open coffin, in which is seen the face of a stern warrior with a long, flowing beard. Another soldier is standing by, with wrath upon his features, and, violating the sanctity of death, he pulls violently at the dead man’s beard. A lady of noble mien is standing near, resentment and haughty indignation depicted on her queenly face.

The great picture, perhaps the most famous and dramatic one ever painted by a Finnish artist, tells its own story, and when we know a little of Finnish history we can easily interpret it. The old man in the coffin is Klas Fleming, the commander of the castle; the soldier standing by and pulling the dead man’s beard is Duke Carl of Sweden, afterwards King Charles IX, who was striving to gain the throne and whom the Finns had vigorously opposed in favor of Sigismund their king. The duke could not capture the castle while the old commander was alive, but when he was killed it soon capitulated.

Angry at the long resistance, Duke Carl could only vent his wrath by showing an indignity to the dead. Turning to the commandant’s wife, who was standing by, he said, “If your husband were living his head would not be as safe as it is now.” But the countess, undaunted, replied, while her eyes flashed fire, “If he were living, your highness would not be here.”

There are two more very interesting centers in Åbo of which I must tell you. One is the market place, and the other the ancient cathedral. In the market place one can learn what people are to-day; in the cathedral one can learn from the monuments and the inscriptions something of what they were seven hundred years ago.

These open markets in the central square of most European cities are a great institution, and if Americans really want to reduce the cost of living, about which we all talk so much and so vehemently, they cannot do better than to establish such a country market in every considerable town throughout the Union.

To the market place in the center of Åbo come the farmers and their wives from all the surrounding country, some with large loads and some with little loads, but all ready to sell to any customer an infinitesimal quantity of their produce for an infinitesimal price. You can buy a single egg, or one carrot, or three or four potatoes, or a pat of butter that would not weigh an eighth of a pound, and you pay only what a single carrot is worth, or the price of an eighth of a pound of butter.