THIRD LETTER
Written on the train between Helsingör and Christiania. A little geography; who’s who in Denmark; Bertel Thorvaldsen and the Thorvaldsen Museum; Hans Christian Andersen; his experience with the “danseuse” of the Royal Theater; the final fulfillment of the gypsy woman’s prophecy; Frederiksborg; some “cute” tricks of Norse nobility in the past; Elsinore and “Prince Amleth”; the “Norges Communicationer.”
En route. Helsingör to Christiania, December 24.
My dear Judicia,
I am in Sweden now, and in spite of a troubled conscience I am enjoying my view from the car window. I suppose I ought not to allow myself to enjoy Sweden, as that is Phillips’ country, and honor should compel me to find fault with it. The country is really beautiful, with its long, rolling expanse of snow-covered land on one side and the Kattegat and Skager-Rack shaking hands on the other. However, I comfort myself and soothe my conscience by remembering that this part of Sweden is between Norway and Denmark, and with two such neighbors it could hardly be entirely without charm. The train was ferried across from Helsingör to Helsingborg, and we are now speeding along close to the Kattegat.
I am not forgetting that I left you in my last letter with the promise to tell you something about Denmark’s celebrities, but first I must treat you as a schoolgirl and tell you about the geography of this little country. Tell me, Judicia, how many principal islands are there in Denmark, and what are their names? What is Jutland? What is the difference between the Kattegat and the Skager-Rack? I am so sure that you don’t exactly know the answers to these abstruse problems (any more than I did two months ago) that I am going to take the liberty of telling you.
Jutland has earned its name, for it juts out into the North Sea and separates the Skager-Rack on the northwest from the Kattegat on the southeast, and it also looks like a sort of wedge thrust into the crevice between the two halves of the dividing Scandinavian peninsula. I am afraid the etymologist would say that it earned its name more from being the home of the Jutes than from its geographical propensity of “jutting.” It is a sandy peninsula, and boasts only one hill, which is made much of by the Danes. Schleswig-Holstein, as of course you know, should properly belong to Jutland and to the Danes. It is unmistakably a part of Denmark geographically and ethnographically, but the great and greedy Bismarck thought it would be a choice morsel to add to Germany, and, not being troubled by a very tender diplomatic conscience, he contrived to snatch it from poor little helpless Denmark. That was long ago, but the Danes still bristle at the name of Bismarck.
East of Jutland lie Denmark’s three large islands—Fyen, Zealand, and Lapland—and her countless smaller ones. If you will take the trouble to look at the map I suppose you can picture Denmark’s geography in your mind even more clearly than by reading my lucid and detailed description.
At this minute I am sure you are thinking of Bertel Thorvalsden, for he is sure to come first into your mind when you begin to inquire who’s who. You remember I quoted Professor Jevons as ranking the Thorvaldsen Museum even as high as Tivoli, as a civilizing influence. That is rather hard though on the museum, for this is really one of the world’s famous monuments. It stands in the very front rank of museums. Moreover it is unique in being the work of and the monument to one single man, the greatest artist-genius of the north. Really I am amazed at the greatness of Thorvaldsen. I have heard about him since I was in kindergarten, but I was struck anew by the greatness of his genius when I visited Copenhagen. He was the son of an Iceland ship’s carpenter, and the poorest of the poor. He was born at sea between Iceland and Copenhagen, and through all the early years of his life he assisted his father in his business. Those who know declare him the greatest classical sculptor of modern times.