It had been decided early in the day that the President and Mrs. Lincoln would attend Ford's Theatre in the evening, to witness the play of "The American Cousin." Lincoln had invited General Grant to accompany his party to the theatre, saying that the people would expect to see him and should not be disappointed. But the General had declined, as Mrs. Grant was anxious to start that afternoon to visit their children, who were at school in Burlington, New Jersey.
As the hour approached for leaving for the theatre, the President was engaged in a conversation with two friends—Speaker Colfax and Hon. George Ashmun of Massachusetts. The business on which they had met not being concluded, the President gave Mr. Ashmun a card on which he had written these words: "Allow Mr. Ashmun and friend to come in at 9 A.M. to-morrow—A. Lincoln." He then turned to Mr. Colfax, saying, "You are going with Mrs. Lincoln and me to the theatre, I hope." Mr. Colfax pleaded other engagements, when Lincoln remarked: "Mr. Sumner has the gavel of the Confederate Congress, which he got at Richmond to hand to the Secretary of War. But I insisted then that he must give it to you; and you tell him for me to hand it over." He then rose, but seemed reluctant to go, expressing a half-determination to delay a while longer. It was undoubtedly to avoid disappointing the audience, to whom his presence had been promised, that he went to the play-house that night. At the door he stopped and said to Speaker Colfax, who was about to leave for the Pacific coast, "Colfax, do not forget to tell the people in the mining regions, as you pass through, what I told you this morning about the development when peace comes. I will telegraph you at San Francisco."
It was nine o'clock when the Presidential party reached the theatre. The place was crowded; "many ladies in rich and gay costumes, officers in their uniforms, many well-known citizens, young folks, the usual clusters of gaslights, the usual magnetism of so many people, cheerful, with perfumes, music of violins and flutes—and over all, and saturating all, that vast, vague wonder, Victory, the Nation's victory, the triumph of the Union, filling the air, the thought, the sense, with exhilaration more than all perfumes." As the President entered he was greeted with tremendous cheers, to which he responded with genial courtesy. The box reserved for him, at the right of the stage, a little above the floor, was draped and festooned with flags. As the party were seated, the daughter of Senator Harris of New York occupied the corner nearest the stage; next her was Mrs. Lincoln; and behind them sat the President and Major Rathbone, the former being nearest the door.
In his quiet chair he sate,
Pure of malice or guile,
Stainless of fear or hate;
And there played a pleasant smile
On the rough and careworn face,—
For his heart was all the while
On means of mercy and grace.
The brave old flag drooped o'er him,—
A fold in the hard hand lay;
He looked perchance on the play,—
But the scene was a shadow before him,
For his thoughts were far away.
It was half-past ten o'clock, and the audience was absorbed in the progress of the play, when suddenly a pistol shot, loud and sharp, rang through the theatre. All eyes were instantly directed toward the President's box, whence the report proceeded. A moment later, the figure of a man, holding a smoking pistol in one hand and a dagger in the other, appeared at the front of the President's box, and sprang to the stage, some eight or ten feet below, shouting as he did so, "Sic semper tyrannis!" He fell as he struck the stage; but quickly recovering himself, sprang through the side-wings and escaped from the theatre by a rear door.
At the moment of the assassination a single actor, Mr. Hawk, was on the stage. In his account of the tragical event he says: "When I heard the shot fired, I turned, looked up at the President's box, heard the man exclaim, 'Sic semper tyrannis!' saw him jump from the box, seize the flag on the staff, and drop to the stage. He slipped when he struck the stage, but got upon his feet in a moment, brandished a large knife, crying, 'The South shall be free,' turned his face in the direction where I stood, and I recognized him as John Wilkes Booth. He ran towards me, and I, seeing the knife, thought I was the one he was after, and ran off the stage and up a flight of stairs. He made his escape out of a door directly in the rear of the theatre, mounted a horse, and rode off. The above all occurred in the space of a quarter of a minute, and at the time I did not know the President was shot."
Scarcely had the horror-stricken audience witnessed the leap and flight of the asassin when a woman's shriek pierced through the theatre, recalling all eyes to the President's box. The scene that ensued is described with singular vividness by the poet Walt Whitman, who was present: "A moment's hush—a scream—the cry of murder—Mrs. Lincoln leaning out of the box, with ashy cheeks and lips, with involuntary cry, pointing to the retreating figure, 'He has killed the President!' And still a moment's strange, incredulous suspense—and then the deluge!—then that mixture of horror, noises, uncertainty—(the sound, somewhere back, of a horse's hoofs clattering with speed)—the people burst through chairs and railing, and break them up—that noise adds to the queerness of the scene—there is inextricable confusion and terror—women faint—feeble persons fall and are trampled on—many cries of agony are heard—the broad stage suddenly fills to suffocation with a dense and motley crowd, like some horrible carnival—the audience rush generally upon it—at least the strong men do—the actors and actresses are there in their play costumes and painted faces, with mortal fright showing through the rouge—some trembling, some in tears—the screams and calls, confused talk—redoubled, trebled—two or three manage to pass up water from the stage to the President's box—others try to clamber up. Amidst all this, a party of soldiers, two hundred or more, hearing what is done, suddenly appear; they storm the house, inflamed with fury, literally charging the audience with fixed bayonets, muskets, and pistols, shouting, 'Clear out! clear out!'.... And in the midst of that pandemonium of senseless haste—the infuriated soldiers, the audience, the stage, its actors and actresses, its paints and spangles and gaslights,—the life blood from those veins, the best and sweetest of the land, drips slowly down, and death's ooze already begins its little bubbles on the lips."
It appears that Booth, the assassin, had long been plotting the murder of the President, and was awaiting a favorable moment for its execution. He had visited the theatre at half-past eleven on the morning of the 14th, and learned that a box had been taken for the President that evening. He engaged a fleet horse for a saddle-ride in the afternoon, and left it at a convenient place. In the evening he rode to the theatre, and, leaving the animal in charge of an accomplice, entered the house. Making his way to the door of the President's box, and taking a small Derringer pistol in one hand and a double-edged dagger in the other, he thrust his arm into the entrance, where the President, sitting in an arm-chair, presented to his view the back and side of his head. A flash, a sharp report, a puff of smoke, and the fatal bullet had entered the President's brain.
Major Rathbone, who occupied a seat in the President's box, testifies that he was sitting with his back toward the door, when he heard the discharge of a pistol behind him, and looking around saw through the smoke a man between the door and the President. Major Rathbone instantly sprang toward him and seized him; the man wrested himself from his grasp, and made a violent thrust at the Major's breast with a large knife. The Major parried the blow by striking it up, and received a wound in his left arm. The man rushed to the front of the box, and the Major endeavored to seize him again, but only caught his clothes as he was leaping over the railing of the box. Major Rathbone then turned to the President. His position was not changed; his head was slightly bent forward, and his eyes were closed.