Smith was an Englishman who had been settled for many years in the States, but had formerly served as steward on board one of the Transatlantic passenger steamers. He was rather amusing, inasmuch as, a great talker, he gave absolutely true, or at any rate matter-of-fact accounts of things, without using any of that pleasant varnish of fiction often adopted even by a whole community as if by mutual consent, in the discussion of open secrets of corruption, or the disgraceful conduct of affairs, public or otherwise. Smith called murderers murderers, thieves thieves, cowards cowards, and so forth; in fact, his ill manners were quite refreshing.

He was well informed on the subject of recent Apache wars (having held the post of packer, teamster, or something of the kind with the troops), and his histories of the battles, skirmishes, etc., that had taken place, compared with those currently accepted, were very laughable. They were particularly amusing in the present instance, for Navajo Bill having been a "long-haired scout" in these campaigns, much of our information was derived from him. The Colonel and Joe took a malicious delight in leading Smith to narrate events, glowing descriptions of which we had already received from Bill. But the latter hero's equanimity was not to be disturbed by any matter so trivial as the direct controversion of his most brilliant yarns. When Smith incidentally remarked that he and Navajo had been twenty miles in the rear on the occasion of "a little skirmish with a few Indians, mostly squaws," which we had been taught to believe was a bloody and decisive battle, indissolubly connected with the glory of Navajo—a battle in which we had pictured him, or rather he had pictured himself, as careering through the awed forces of the enemy with the irresistible majesty of the cyclone—the Colonel's imperturbable valet merely shifted in his chair, smiled one of his own inimitable smiles, and added to the mirth by some quaint remark, without attempting to support his original tale.

We left on the following morning, and camped on the Boca Grande River after a thirty-mile drive. The Boca Grande ranch is a league broad, and follows the course of the river for thirty or forty leagues. The grass on it is mostly coarse, and since the soil is light and sandy, would trample out if heavily stocked. But the close proximity of the Southern Pacific Railway lends the ranch value, and its long stretch of water gives it control of a large extent of outside grazing, some of which is first-rate.

At this distance from its source the river does not flow uninterruptedly throughout the year, but during the dry season (winter and part of spring) shrinks and stands in a series of short canals and water-holes, where an ample supply of water is always to be found at every hundred yards or so. Here and there also a spring occurs, and the river flows permanently for a few hundred yards.

Another characteristic of certain rivers in this part of the world may as well be mentioned here. In places they sink, flow for some distance underground, and then rise again. The explanation given of this is, that the bed rock dips, the water filters through the loose surface soil and follows it, reappearing only when the natural fall of the country in the same direction brings the bed rock near the surface again, and the level of the water above it. Of course, in the wet season there is a sufficient rainfall in most cases to fill these inequalities, and keep the bed bank-full.

I have heard it argued that a dam sunk to the bed rock would have the effect of preserving a full head of water. But since the stream must inevitably pass these sinks sooner or later, and the only way to neutralise the ill effect of them is to fill them, it seems to me that one built where the water reappears would be equally effective and less expensive. But the matter requires study, and I am only justified in offering the most diffident suggestion.

FOOTNOTE:

[38] It is needless, I presume, to warn the reader not to confuse this "Joe" with the cow-boy who appeared in the last sketch.