"This lad was very skilful in the proverbial Bushman art of drawing animal figures, and upon several occasions I induced him to show me how this was managed among his people. He invariably began by jotting down upon paper or on a slate a number of isolated dots which presented no connection or trace of outline of any kind to the uninitiated eye, but looked like the stars scattered promiscuously in the sky. Having with much deliberation satisfied himself of the sufficiency of these dots, he forthwith began to run a free bold line from one to the other, and as he did so the form of an animal--horse, buffalo, elephant, or some kind of antelope--gradually developed itself. This was invariably done with a free hand, and with such unerring accuracy of touch, that no correction of a line was at any time attempted. I understood from the lad that this was the plan which was invariably pursued by his kindred in making their clever pictures."
It is impossible, I think, for a drawing to be made on this method unless the artist had a clear image in his mind's eye of what he was about to draw, and was able, in some degree, to project it on the paper or slate.
Other living races have the gift of drawing, but none more so than the Eskimo. I will therefore speak of these and not of the Australian and Tasmanian pictures, nor of the still ruder performances of the old inhabitants of Guiana, nor of those of some North American tribes, as the Iroquois. The Eskimos are geographers by instinct, and appear to see vast tracts of country mapped out in their heads. From the multitude of illustrations of their map-drawing powers, I may mention one of those included in the journals of Captain Hall, at p. 224, which were published in 1879 by the United States Government, under the editorship of Professor J. E. Nourse. It is the facsimile of a chart drawn by an Eskimo who was a thorough barbarian in the accepted sense of the word; that is to say, he spoke no language besides his own uncouth tongue, he was wholly uneducated according to our modern ideas, and he lived in what we should call a savage fashion. This man drew from memory a chart of the region over which he had at one time or another gone in his canoe. It extended from Pond's Bay, in lat. 73°, to Fort Churchill, in lat. 58°44', over a distance in a straight line of more than 960 nautical, or 1100 English miles, the coast being so indented by arms of the sea that its length is six times as great. On comparing this rough Eskimo outline with the Admiralty chart of 1870, their accordance is remarkable. I have seen many MS. route maps made by travellers a few years since, when the scientific exploration of the world was much less advanced than it is now, and I can confidently say that I have never known of any traveller, white or brown, civilised or uncivilised, in Africa, Asia, or Australia, who, being unprovided with surveying instruments, and trusting to his memory alone, has produced a chart comparable in extent and accuracy to that of this barbarous Eskimo. The aptitude of the Eskimos to draw, is abundantly shown by the numerous illustrations in Rink's work, all of which were made by self-taught men, and are thoroughly realistic.
So much for the wild races of the present day; but even the Eskimo are equalled in their power of drawing by the men of old times. In ages so far gone by, that the interval that separates them from our own may be measured in perhaps hundreds of thousands of years, when Europe was mostly icebound, a race who, in the opinion of all anthropologists, was closely allied to the modern Eskimo, lived in caves in the more habitable places. Many broken relics of that race have been found; some few of these are of bone engraved with flints or carved into figures, and among these are representations of the mammoth, elk, and reindeer, which, if made by an English labourer with the much better implements at his command, would certainly attract local attention and lead to his being properly educated, and in much likelihood to his becoming a considerable artist if he had intellectual powers to match.
It is not at all improbable that these prehistoric men had the same geographical instincts as the modern Eskimo, whom they closely resemble in every known respect. If so, it is perfectly possible that scraps of charts scratched on bone or stone, of prehistoric Europe, when the distribution of land, sea, and ice was very different to what it is now, may still exist, buried underground, and may reward the zeal of some future cave explorer.
There is abundant evidence that the visualising faculty admits of being developed by education. The testimony on which I would lay especial stress is derived from the published experiences of M. Lecoq de Boisbaudran, late director of the École Nationale de Dessein, in Paris, which are related in his Education de la M. émoire Pittoresque [7] He trained his pupils with extraordinary success, beginning with the simplest figures. They were made to study the models thoroughly before they tried to draw them from memory. One favourite expedient was to associate the sight memory with the muscular memory, by making his pupils follow at a distance the outlines of the figures with a pencil held in their hands. After three or four months' practice, their visual memory became greatly strengthened. They had no difficulty in summoning images at will, in holding them steady, and in drawing them. Their copies [7] were executed with marvellous fidelity, as attested by a commission of the Institute, appointed in 1852 to inquire into the matter, of which the eminent painter Horace Vernet was a member. The present Slade Professor of Fine Arts at University College, M. Légros, was a pupil of M. de Boisbaudran. He has expressed to me his indebtedness to the system, and he has assured me of his own success in teaching others in a somewhat similar way.
[Footnote 7: Republished in an 8vo, entitled Enseignment Artistique. Morel et Cie. Paris, 1879.]
Colonel Moncrieff informs me that, when wintering in 1877 near Fort Garry in North America, young Indians occasionally came to his quarters, and that he found them much interested in any pictures or prints that were put before them. On one of these occasions he saw an Indian tracing the outline of a print from the Illustrated News very carefully with the point of his knife. The reason he gave for this odd manoeuvre was, that he would remember the better how to carve it when he returned home.
I could mention instances within my own experience in which the visualising faculty has become strengthened by practice; notably one of an eminent electrical engineer, who had the power of recalling form with unusual precision, but not colour. A few weeks after he had replied to my questions, he told me that my inquiries had induced him to practise his colour memory, and that he had done so with such success that he was become quite an adept at it, and that the newly-acquired power was a source of much pleasure to him.
A useful faculty, easily developed by practice, is that of retaining a retinal picture. A scene is flashed upon the eye; the memory of it persists, and details, which escaped observation during the brief time when it was actually seen, may be analysed and studied at leisure in the subsequent vision.