COMPARISON BETWEEN THE QUALITY OF THE WORDS AND THAT OF
THE IDEAS IN IMMEDIATE ASSOCIATION WITH THEM.
| number Number of words in each series. | Sense Imagery | Histrionic | Purely Verbal | Total | ||
| Names of pesons | Phrases and Quotations | |||||
| 26 | "Abbey" Series | 46 | 12 | 32 | 17 | 107 |
| 20 | "Abasement" Series | 25 | 26 | 11 | 17 | 79 |
| 29 | "Afternoon" Series | 23 | 27 | 16 | 38 | 104 |
| 75 | 290 | |||||
| As percentages | ||||||
| "Abbey" Series | 43 | 11 | 30 | 16 | 100 | |
| "Abasement" Series | 32 | 33 | 13 | 22 | 100 | |
| "Afternoon" Series | 22 | 25 | 16 | 37 | 100 | |
We see from this that the associations of the "abbey" series are nearly half of them in sense imagery, and these were almost always visual. The names of persons also more frequently occurred in this series than in any other. It will be recollected that in Table II. I drew attention to the exceptionally large number, 33, in the last column. It was perhaps 20 in excess of what would have been expected from the general run of the other figures. This was wholly due to visual imagery of scenes with which I was first acquainted after reaching manhood, and shows, I think, that the scenes of childhood and youth, though vividly impressed on the memory, are by no means numerous, and may be quite thrown into the background by the abundance of after experiences; but this, as we have seen, is not the case with the other forms of association. Verbal memories of old date, such as Biblical scraps, family expressions, bits of poetry, and the like, are very numerous, and rise to the thoughts so quickly, whenever anything suggests them, that they commonly outstrip all competitors. Associations connected with the "abasement" series are strongly characterised by histrionic ideas, and by sense imagery, which to a great degree merges into a histrionic character. Thus the word "abhorrence" suggested to me, on three out of the four trials, an image of the attitude of Martha in the famous picture of the raising of Lazarus by Sebastian del Piombo in the National Gallery. She stands with averted head, doubly sheltering her face by her hands from even a sidelong view of the opened grave. Now I could not be sure how far I saw the picture as such, in my mental view, or how far I had thrown my own personality into the picture, and was acting it as actors might act a mystery play, by the puppets of my own brain, that were parts of myself. As a matter of fact, I entered it under the heading of sense imagery, but it might very properly have gone to swell the number of the histrionic entries.
The "afternoon" series suggested a great preponderance of mere catch words, showing how slowly I was able to realise the meaning of abstractions; the phrases intruded themselves before the thoughts became defined. It occasionally occurred that I puzzled wholly over a word, and made no entry at all; in thirteen cases either this happened, or else after one idea had occurred the second was too confused and obscure to admit of record, and mention of it had to be omitted in the foregoing Table. These entries have forcibly shown to me the great imperfection in my generalising powers; and I am sure that most persons would find the same if they made similar trials. Nothing is a surer sign of high intellectual capacity than the power of quickly seizing and easily manipulating ideas of a very abstract nature. Commonly we grasp them very imperfectly, and cling to their skirts with great difficulty.
In comparing the order in which the ideas presented themselves, I find that a decided precedence is assumed by the histrionic ideas, wherever they occur; that verbal associations occur first and with great quickness on many occasions, but on the whole that they are only a little more likely to occur first than second; and that imagery is decidedly more likely to be the second than the first of the associations called up by a word. In short, gesture-language appeals the most quickly to my feelings,
It would be very instructive to print the actual records at length, made by many experimenters, if the records could be clubbed together and thrown into a statistical form; but it would be too absurd to print one's own singly. They lay bare the foundations of a man's thoughts with curious distinctness, and exhibit his mental anatomy with more vividness and truth than he would probably care to publish to the world.
It remains to summarise what has been said in the foregoing memoir. I have desired to show how whole 1 strata of mental operations that have lapsed out of ordinary consciousness, admit of being dragged into light, recorded and treated statistically, and how the obscurity that attends the initial steps of our thoughts can thus be pierced and dissipated. I then showed measurably the rate at which associations sprung up, their character, the date of their first formation, their tendency to recurrence, and their relative precedence. Also I gave an instance showing how the phenomenon of a long-forgotten scene, suddenly starting into consciousness, admitted in many cases of being explained. Perhaps the strongest of the impressions left by these experiments regards the multifariousness of the work done by the mind in a state of half-unconsciousness, and the valid reason they afford for believing in the existence of still deeper strata of mental operations, sunk wholly below the level of consciousness, which may account for such mental phenomena as cannot otherwise be explained. We gain an insight by these experiments into the marvellous number and nimbleness of our mental associations, and we also learn that they are very far indeed from being infinite in their variety. We find that our working stock of ideas is narrowly limited and that the mind continually recurs to the same instruments in conducting its operations, therefore its tracks necessarily become more defined and its flexibility diminished as age advances.
[ANTECHAMBER OF CONSCIOUSNESS]
When I am engaged in trying to think anything out, the process of doing so appears to me to be this: The ideas that lie at any moment within my full consciousness seem to attract of their own accord the most appropriate out of a number of other ideas that are lying close at hand, but imperfectly within the range of my consciousness. There seems to be a presence-chamber in my mind where full consciousness holds court, and where two or three ideas are at the same time in audience, and an antechamber full of more or less allied ideas, which is situated just beyond the full ken of consciousness. Out of this antechamber the ideas most nearly allied to those in the presence-chamber appear to be summoned in a mechanically logical way, and to have their turn of audience.