And here is a still more graphic description, taken from a letter written to Madame Récamier by Baron de Voght:
‘It is to you that I owe my most amiable reception at Coppet. It is no doubt to the favourable expectations aroused by your friendship that I owe my intimate acquaintance with this remarkable woman. I might have met her without your assistance—some casual acquaintance would no doubt have introduced me—but I should never have penetrated to the intimacy of this sublime and beautiful soul, and should never have known how much better she is than her reputation. She is an angel sent from heaven to reveal the divine goodness upon earth. To make her irresistible, a pure ray of celestial light embellishes her spirit and makes her amiable from every point of view.
‘At once profound and light, whether she is discovering a mysterious secret of the soul or grasping the lightest shadow of a sentiment, her genius shines without dazzling, and when the orb of light has disappeared, it leaves a pleasant twilight to follow it.... No doubt a few faults, a few weaknesses, occasionally veil this celestial apparition; even the initiated must sometimes be troubled by these eclipses, which the Genevan astronomers in vain endeavour to predict.
‘My travels so far have been limited to journeys to Lausanne and Coppet, where I often stay three or four days. The life there suits me perfectly; the company is even more to my taste. I like Constant’s wit, Schlegel’s learning, Sabran’s amiability, Sismondi’s talent and character, the simple truthful disposition and just intellectual perceptions of Auguste,[B] the wit and sweetness of Albertine[C]—I was forgetting Bonstetten, an excellent fellow, full of knowledge of all sorts, ready in wit, adaptable in character—in every way inspiring one’s respect and confidence.
[B] Madame de Staël’s son, who afterwards edited the works of Madame de Staël and Madame Necker.
[C] Madame de Staël’s daughter, afterwards Duchesse de Broglie.
‘Your sublime friend looks and gives life to everything. She imparts intelligence to those around her. In every corner of the house some one is engaged in composing a great work.... Corinne is writing her delightful letters about Germany, which will no doubt prove to be the best thing she has ever done.
‘The “Shunamitish Widow,” an Oriental melodrama which she has just finished, will be played in October; it is charming. Coppet will be flooded with tears. Constant and Auguste are both composing tragedies; Sabran is writing a comic opera, and Sismondi a history; Schlegel is translating something; Bonstetten is busy with philosophy, and I am busy with my letter to Juliette.’
THE TRICOTEUSE: WINTER