Count Nigra, it will be observed, confirms the medical certificate with regard to the position of the wound, but does not confirm the Grand Duke’s statement that broken bottle-glass protruded from it. Yet Count Nigra could hardly have failed to mention the bottle-glass if he had seen it. Probably it was not there; probably the reference to it is due to Princess Louisa’s conjectural emendation of her father’s story—or it may be that her father came to believe that he had seen it, because it fitted in with the popular legend which had become current.

That legend was, as is well known, that Rudolph had been killed with a blow from a champagne bottle in a quarrel which broke out in the course of a drunken orgy. According to some witnesses—if one can call them witnesses—the blow was struck by one of the boon companions. According to others, it was struck by Mary Vetsera herself, after a scene of jealousy; and the part which the boon companions played in the drama was to shoot Mary Vetsera. It cannot be said that Count Nigra’s description of the wound really confirms either version of the story. He made no scientific examination of the skull, but only glanced at it hurriedly; and the inferences which he drew from his hurried inspection may very well have been mistaken. But he talked; and his talk was obviously the ultimate source of all the various versions of the champagne bottle legend. They are all based upon that talk; and one can find no corroborative evidence of any one of them.

There is, in particular, no evidence that there was any drunken orgy whatsoever at Meyerling, or that, if there was, either Rudolph or Mary Vetsera took part in it. On the contrary, it was alleged by the boon companions, and assumed by the physicians, that the tragedy took place behind closed doors: that Rudolph, declaring himself to be fatigued, retired early to the apartment in which Mary—of whose presence at Meyerling the boon companions were unaware—was awaiting him. That is what Countess Marie Larisch says—her informant being Professor Wiederhofer; and her narrative corresponds, in all essentials, with the story told by the special investigator of the French paper L’Eclair. This is what the latter inquirer tells us:—

“The guests came home late from shooting, and soon retired to their several rooms, the Crown Prince having complained of fatigue. He left them to go to his own room, where Mary Vetsera had been brought, without their knowledge, by the coachman Bratfisch. The party did not sup together, and no one else was at Meyerling that night.

“In the morning the Duke and the Count, astonished that the Archduke did not come down, and feeling uneasy because there was no response when they knocked at his door, caused the door to be forced. They saw the two corpses lying on the bed. The double suicide was evident. In their amazement, and in the hope of avoiding scandal, they wished to hush the matter up. They wished it to be believed that there had been an accident in the hunting field; so they spread a report to that effect, and, in order to gain credence for it, they caused Mary Vetsera’s body, fully dressed, to be removed in circumstances of mystery.”

The differences between this narrative and that of Countess Marie Larisch are of minor importance; the resemblances are striking. In particular it is to be noted that we get from the French journalist a contemporary confirmation of Countess Marie’s account of the mysterious disposal and burial of Mary Vetsera’s body.[4] Countess Marie adds many gruesome details; but the story which she supports is one which had already been published, albeit in an obscure quarter and without attracting attention. Even the detail that the body was dressed for removal was, as we have seen, in the Frenchman’s narrative.

[4] The same story was also told, long ago, in Paris, to Mrs. Clarence Andrews, by Alexander Baltazzi.

We may take it as established, therefore, that the tragedy—whether murder or suicide—did, in fact, take place behind closed doors. There were no witnesses of what happened there; and the circumstantial evidence is, as we have seen, conflicting—the considerations which have to be balanced against each other being these:—

1. Both Rudolph and Mary Vetsera are said to have written letters announcing their intention of dying together.

2. The description of Rudolph’s wound, given in the medical certificates, indicates that it could not have been self-inflicted; and this view is confirmed by the testimony of Count Nigra.