“I do not say that these were by his orders or under his directions, but on one occasion I did fancy that I could discern a touch of his own hand in a paragraph in the Morning Post, in which he was mentioned as having returned from an excursion into the interior of Africa; and when I alluded to it, my suspicion was confirmed by his embarrassment.”

That is quite modern—one often reads similar paragraphs nowadays concerning the visits of novelists to the Engadine, or to Khartoum; and if Byron did not go quite so far as to speak publicly of his forthcoming work as “a colossal undertaking,” he managed, without saying so, to convey the impression that that was what it was. He also contrived to have the proofs shown, as a great privilege, to the right people, and was careful to let the critics have advance copies with a view to notice on the day of publication. Dallas himself reviewed it before the day of publication, and was excused on the ground that his indiscretion had proved “a good advertisement.” The privileged women—Lady Caroline Lamb was among them—enchanted by the sentiment of the poem, boasted to the women who were not so privileged, and besought an introduction to the poet. “I must see him. I am dying to see him,” was Lady Caroline’s exclamation to Rogers. “He bites his nails,” Rogers maliciously warned her; but she persisted as vehemently as ever.

She was to see him presently, in circumstances and with consequences which we shall have to note. In the meantime many striking stories concerning him were floating about for her to hear. She heard, for instance—or one may suppose her to have heard—of that dinner-party at Rogers’ house at which Byron distinguished himself by his abstemiousness, refused soup, and fish, and mutton, and wine, asked for hard biscuits and soda-water, and, when Rogers confessed himself unable to provide these delicacies, “dined upon potatoes bruised down upon his plate and drenched with vinegar.” Let us hope that she never heard the end of the story which proceeds, in “Table Talk of Samuel Rogers”: “I did not then know, what I now know to be a fact, that Byron, after leaving my house, had gone to a Club in Saint James’s Street and eaten a hearty meat-supper.” And, of course, her interest, like the interest of the rest of the world, was stimulated by Byron’s maiden speech in the House of Lords.

Galt says quite bluntly that “there was a degree of worldly management in making his first appearance in the House of Lords so immediately preceding the publication of his poem.” Most probably there was. When so many logs were rolling, this particular log was hardly likely to be left unrolled; and there is no denying that the note of self-advertisement does sound in the speech quite as loudly as the note of sympathy with the common people—those Nottingham rioters and frame-breakers for whose suppression it was proposed to legislate.

Viewed as a contribution to the debate, the speech does more credit to the speaker’s heart than to his head. The appeal for pity for misguided, labouring men is mixed up with a denunciation of labour-saving appliances as devices for the further impoverishment of the poor. An economist might say a good deal about that if this were the place for saying it. Byron, such a one would point out, was a Radical by instinct, but a Radical who had as yet but an imperfect comprehension of the natural laws most favourable to the production, distribution, and exchange of wealth. But let that pass. The most resounding note of the speech is, after all, the note of the new man presenting himself, and explaining who he is, and what he has done:

“I have traversed the seat of war in the Peninsular, I have been in some of the most oppressed provinces in Turkey; but never under the most despotic of infidel governments did I behold such squalid wretchedness,” &c. &c. &c.

That, in the days in which travel was really travel, involving adventure and bestowing unique experience, was the sort of utterance to draw attention. Byron had actually been to the places which other people only talked and read about; and he was no bronzed, maimed, or wrinkled veteran, but a youth with curling hair, a marble brow, a pallid face, a godlike aspect. What havoc must he not have wrought in harems, and in the hearts of odalisques! He was so young, so handsome, so clever—and, according to his own account, so wicked. And he had written a poem, it appeared—a poem as wicked and beautiful as himself, explaining, with all kinds of delightful details, the shocking courses into which he had been driven by disappointed love. However much poetry one left unread, one must read that poem, and read it at once, in order to show that one was “in the movement.”

So the women argued. It did not matter to them that Byron lacked the graces of the natural orator, and declaimed his sentiments in a monotonous sing-song tone, like a public schoolboy on a speech-day. It mattered still less to them whether his economics were sound or shaky. Sympathy, not argument, was what they wanted, and the sympathy was there. Byron would be some one to lionise—some one, it might be, to love—some one, at any rate, whom every woman must try to understand. And the first step towards understanding him must be to read his book.

They read it, and made the men read it too. It was recognised, as such things come to be recognised, that any one who had not read it would be liable to feel foolish wherever the “best” people were gathered together. The first edition, issued on March 10, 1812, was sold out in three days. There was a second edition in April, a third in June, a fourth in September, a fifth in December, a sixth in August 1813, a seventh in February 1814. By 1819, an eleventh edition had been reached; and the subsequent editions would require a professional statistician to count them. Byron, in short, had not only, as he said, “woke up one morning and found himself famous”; his fame had proved to have enduring qualities.

The suddenness of the fame, as we have seen, was not solely the result either of accident or of merit. Author, publisher, and literary agent—for Dallas may fairly be ranked with the pioneers of the last-named profession—had planned and plotted for it. It may even be questioned whether such supreme success was quite deserved; and it would be easy to cite examples of much greater work—some of Wordsworth’s, for example—which was far less successful. But that the enthusiasm was natural—and indeed almost inevitable—cannot be disputed.