The monuments of Paris, the gardens, promenades, markets, libraries, etc.
In order to facilitate the progress of the reader in viewing the monuments and different objects of interest in Paris, I shall classify them within certain limits, so that they may be viewed in the shortest possible time, stating those which are contiguous to each other, so that a greater number may be visited in a day, than if the traveller went from one distant quarter of Paris to the other promiscuously, as he happened to hear of any building or monument he wished to see, and thus have to return perhaps two or three times to the same neighbourhood instead of finishing with one district first, then taking the others in rotation; as I shall suppose that some of my readers can only afford ten days or a fortnight to view Paris, I shall be as chary of their time as possible; having been accustomed to show the lions to many different friends or acquaintances from England, I trust I am tolerably au fait at that operation. I shall begin with that part of Paris denominated La Cité, because it is the most central and the most ancient; we will therefore proceed to it by the Pont-Neuf, which as I have already stated was built by Henry III about 1580. There are several shops upon it contained within small stone buildings, which, when viewing the bridge at a short distance, have rather a picturesque effect; it is ornamented with a number of heads according to the taste of that day, and which now give it rather an antique appearance. When well upon the bridge which rises as it approaches the centre, I would advise the spectator to look around him, as the view well repays the trouble, the quays having a most noble appearance, adorned by the Louvre, the Tuileries, the Institute, and other public buildings.
Now let us look about us at more immediate objects; what a noisy bustling scene it is at present, and has been for centuries past, as in the reign of Henry IV it is described as absolutely stunning; now you are assailed by the hissing of fried potatoes, fish, and fritters, which are bought up as fast as they are supplied, women and men are seated with their little apparatus for shearing cats and dogs, and clipping their tails and ears if required, which is a calling that appears to be followed by numbers in Paris who all seem to take their stations on the bridges; situated amongst them are several shoeblacks, who appear to take their posts in uniform array with the trimmers of cats and dogs; they operate upon your boots and shoes as you stand, therefore if you wish to patronise them you may take that opportunity of looking about and getting disburthened of some of the Paris mud, quite certain if it be wet weather that you will soon get more. Fruit in all its variety, books, prints, blacking, and nick-knacks of every description offer themselves to your notice. But let us direct our attention to a more interesting object; the fine bronze equestrian statue of Henry IV: one could almost think the good and merry monarch was going to utter some of his witty sallies. Now let us turn round and behold those antique looking houses which face us and were built in his reign, at a distance they have a sort of castellated appearance: before we quit the bridge let us look down on the Baths Vigier with their pretty garden; we will enter the place Dauphine, and then take one look at the bust of Desaix, the victim of the battle of Marengo, and next we will turn on to the Quai de l'Horloge and view the north side of the Palais de Justice; it presents two round towers, which have the appearance of being very old, and I was assured by an architect who employed much of his time in poking about after such morsels of antiquity as he could find, that they were built by the Romans, but I doubt it.
We must not miss the Tour de l'Horloge, which is certainly of the middle ages, and the clock is I believe considered the oldest in Paris; turning to the right we view the grand front of the Palais de Justice, a very handsome iron grating in part gilded, decorates the entrance to the front court, and you ascend a bold flight of steps to the principal door; four doric pillars with figures representing Justice, Fortitude, Plenty, and Prudence, adorn the grand façade of the building; an immense hall to the right, in which is a noble statue of the good and venerable Malesherbes, well worth attention, and is the apartment where formerly ambassadors were received and the nuptial ceremonies of princes were celebrated, but now the rendez-vous of lawyers, barristers, and their clients.
Several other halls, chambers, galleries, corridors, etc, are worth notice, and that which is beneath them, has a shuddering kind of interest; it is called the Conciergerie, and if its victims were there consigned by the harsh decree of rigid justice, surely mercy and charity were not allowed to enter, whilst it formed the prison of the hapless Marie Antoinette and the brave Pichegru, but we will draw a veil over those scenes which are but fraught with sad reminiscences. Many of these dark covered alleys, belonging to this extraordinary building, have been long occupied by venders of shoes, slippers and a variety of articles which remind one of the old Exeter Change.
This singular edifice which almost resembles a town is considered to have been founded by Eudes, count of Paris, about the year 890, but the most ancient part now standing, was built by Saint Louis who founded the chapel, which is considered to be a complete type of the pure gothic architecture, and which in that respect is not exceeded by any other in Europe; it has the most decided air of antiquity, with a richness and elegance which certainly characterise it as the beau ideal of that period. It is termed the Holy Chapel and now appropriated to the conservation of ancient records. From this interesting monument we turn with regret, but a new scene bursts upon us; it is the flower market, which is held under trees and furnished with large bassins constantly supplied with water; the numerous display of flowers mostly in pots done up in such a manner with white paper so that it forms the background, gives much light and life to the colours, buds, and blossoms, which bloom on this enlivening spot. Wednesdays and Saturdays are the market days, and I recommend the reader not to miss so pleasing a spectacle. On the Quai du Marché-Neuf, on the southern bank of the island, a very opposite sight may be seen, being the Morgue, a little building for receiving all dead bodies found, and not owned.
We now proceed to Notre-Dame, which is in the form of a cross; it was began about the year 1150, in the reign of Louis the Seventh, but continued in that of Philippe-Auguste, and completed under Saint-Louis in 1257, which date, as I have already stated, it now distinctly bears. Its magnitude and extent surpasses every other church in Paris, it is in the arabic style, and being now totally detached from any other building has a most grand effect; it is only in the present reign that this great improvement has been effected, as it was formerly joined on one side to the archiepiscopal palace. The immense number of grotesque figures which surround and surmount the doorway, give it a most rich appearance, although they are in the rudest style of barbarism; above is a large window called the rose, which is a most beautiful and curious object. The interior at the first view has a most striking effect; one hundred and twenty pillars supporting a range of arches afford a most splendid coup d'œil, the middle aisle presenting an uninterrupted view of the whole church, which being very lofty has a most majestic appearance; the sumptuous altar, the fine gloom pervading the pictures, the curious Gobelin tapestry which decorate the sides, combine in affording a rich effect which is still heightened by the chapels which are perceptible between the columns. Although it might be urged that there is rather a profusion of decoration with the bas-reliefs, and other ornaments, yet the edifice is on so colossal a scale that it still presents so broad a mass, that a tone of simplicity pervades the whole. The beautiful choir is after a design by De Goste, the altar and sanctuary are of marble and porphyry, whilst tesselated pavements and variegated shrines adorn the numerous chapels. The pictures are good in general; as to the tapestry, I think it had better be removed, which I dare say it will be as taste refines. It is to be regretted that the towers of Notre-Dame have so heavy and black appearance, which is increased by a parcel of dark unseemly shutters. On the outside towards the north, there are some pieces of sculpture well worth examination; they are beautifully executed although much deteriorated by time, and appear to be works of about the thirteenth century. There are some curious brasses which would be very interesting to persons capable of decyphering them, one in particular to the left on entering, but so much in the dark that it is difficult to make it out, especially as the characters at best are not easy to understand, but I recommend them to the inspection of those persons who have time and inclination to study such subjects. The view of the city from the towers affords an ample panorama, and displays the positions of the principal monuments.
The Hôtel Dieu is one of the finest establishments of the kind in Europe, it is an hospital for the sick, in which they can make up 1,500 beds, but there is nothing in its external appearance that is very striking. The Archiepiscopal Palace had not a very attractive exterior, but now, as they are partly demolishing and rebuilding it all, remarks must be suspended until it be finished. No other object presents itself particularly worth notice on this island, once the celebrated Lutetia, but many of the houses have a very old appearance, and are some of them probably of three or four hundred years standing; the curious observer inspecting them will here and there find indications of the middle ages. If the reader like to pass over to the Isle St. Louis, it will but take him a few minutes, which is about as much as it is worth; the only object exciting attention is the Hôtel Chamisot, No. 45, Rue St. Louis, and the church of St. Louis, built in 1664. In this edifice there are some pictures worthy remark and a curious spire. The Hôtel Lambert, No. 2, Rue St. Louis, also merits attention, being most richly adorned with paintings, gilded mouldings, frescos, etc. Voltaire lived in it, and Napoleon had a long conversation in the gallery in 1815 with his minister, Montalivet, when he found all was lost.
I shall now conduct my reader from the little Isle St. Louis by the Pont de Tournelle to the Quay de Tournelle, from which we proceed to that of St. Bernard, where every one must be struck with the Halles aux Vins, or Wine Halls; they are all arranged with extreme regularity, and forming altogether a whole, have a most singular effect; the neatness of the appearance is remarkable; and the extent is such that they might contain sufficient inhabitants to people a small town. As we proceed along the quay, we have a good view of the Pont d'Austerlitz, it is quite flat, built of iron, and is extremely light and handsome.
Upon our right is the great attraction, so interesting to all nations, the Garden of Plants; the first view of it through the iron railing is most striking, rows of sable looking trees, forming a fine contrast to the broad expansive beds of flowers, their gay colours blooming forth so thickly as to resemble at some distance the brightest and richest carpet; broad walks are between these brilliant masses; at the end of which is the building which contains the Museum of natural History; to give the reader anything like an accurate idea of this establishment, it is necessary to exercise one's ability in condensing to the utmost degree, as to furnish a comprehensive analysis of the wonders of this institution would require a folio volume. I knew an English couple who took lodgings in the immediate neighbourhood for three months that they might go every day and study the numberless interesting objects this establishment contains. The long promenades are formed by picturesque trees and shrubs which have been collected from every clime; the immense number of labels, as one approaches more closely, rather disfigure the display of flowers, but as usefulness is the object, it is impossible otherwise than to approve the extreme order and regularity with which every plant, according to its genus, is classified, affording a most delectable treat to a regular botanist. This arrangement has been effected under the superintendence of Monsieur du Jussieu himself, no doubt one of the most scientific botanists thatever has appeared; his residence and that of his family was in the gardens, when I was in Paris twenty years back, and I believe some of them still are concerned in the botanical arrangements of the institution.