The party set out on the 1st of September, traveling by way of Dover and Boulogne, and reached Paris on Thursday, September 4. They alighted at the Messagerie Royale, Rue des Victoires, and, after looking up lodgings, went at once to the Jardin des Plantes to pay their respects to Cuvier. The Museum of Natural History was closed, but they knocked and asked for the Baron. "He was in," said Audubon, in the journal of his Paris experience,
but, we were told, too busy to be seen. Being determined to look at the great man, we waited, knocked again, and with a certain degree of firmness sent in our names. The messenger returned, bowed, and led the way up stairs, where in a minute Monsieur the Baron, like an excellent good man, came to us; he had heard of my friend Swainson and greeted him as he deserves to be greeted; he was polite and kind to me, though my name had never made its way to his ears. I looked at him, and here follows the result: age about sixty-five; size corpulent, five feet five, English measure; head large; face wrinkled and brownish; eyes gray, brilliant and sparkling; nose aquiline, large and red; mouth large, with good lips; teeth few, blunted by age, excepting one on the lower jaw, measuring nearly three-quarters of an inch square.[361]
They were immediately invited to dine on the following Saturday at six o'clock, and later saw Cuvier at his home, at his Museum, and at the Academy of Sciences, over which he presided.
Geoffroy Saint-Hilaire pleased Audubon greatly and proved to him by his conversation that he understood perfectly the difference between the French and the English. The Duke of Orleans, who then occupied the Palais Royal, seemed to him the finest physical type of man he had ever met. "He had my book brought up," said the naturalist, "and helped me untie the strings and arrange the table, and began by saying that he felt great pleasure in subscribing to the work of an American, for he had been most kindly received in the United States and should never forget it." When the plate of the Baltimore Orioles was held up to view, the Duke exclaimed: "This surpasses all I have seen, and I am not astonished now at the eulogiums of M. Redouté." He conversed in both English and French, had much to say of American cities and rivers, and added: "You are a great nation, a wonderful nation." The Duke wrote his name in Audubon's subscription book, promised to try to enlist a number of the crowned heads of Europe in his behalf, and gave him besides a number of orders for pictures of animals.
Audubon had already made friends with the veteran painter of flowers, Pierre Joseph Redouté, and when it was proposed that they should exchange works, the "Raphael of Flowers" consented, gave Audubon at once nine numbers of his Belles Fleurs, and promised to send "Les Roses."
During this visit of eight weeks Parker painted portraits of both Cuvier and Redouté; Swainson worked steadily at the Museum, where Isidore Geoffrey Saint-Hilaire gave him the use of his private study; while Audubon, for the most part, was driving from post to pillar in his not altogether successful efforts to extend his subscription list. As already intimated, his greatest success in Paris was in winning the friendship and endorsement of Cuvier, who reported upon his work at a meeting of the Royal Academy of Sciences held on September 22.[362] Audubon has related how on this occasion he had an appointment to meet the Baron in the library of the Institute at precisely half past one o'clock; he waited; the hall filled, and the clock ticked on, but the great savant did not appear. Finally, said Audubon, after an hour had passed, "all at once I heard his voice, and saw him advancing, very warm and apparently fatigued. He met me with many apologies, and said, 'Come with me'; and as we walked along, he explaining all the time why he had been late, while his hand drove a pencil with great rapidity, and he told me that he was actually now writing the report on my work!"[363] Cuvier's published report, which was extremely laudatory, showed little signs of haste. After speaking of Audubon's talents and accomplishments he said:
The execution of these plates, so remarkable for their size, seems to us equally successful in the drawing, the engraving, and coloring, and though it may be difficult to represent relief in a colored print with as much effect as in painting proper, this is no disadvantage in works on natural history; naturalists prefer the true color of objects to those accidental shades which result from the diverse inflections of light; necessary though these be for completing the truth of a picture, they are foreign as well as prejudicial to scientific accuracy.[364]
AUDUBON