I only learnt a few days since that you were to winter in Edinburgh, and perhaps since you are not Hurried for time in Trovelly [?] will come out to spend a day or two with me—If you can come out before the 10 th. when I shall have the pleasure of shewing you some Blackgame Shooting—The season expires on the Tenth of the Month partridges have bred so ill that there is scarsely any in the whole country, and pheasants have been so lately introduced that they are yet rather scarce—In a wet day you may have your easel & brushes I should wish much to hear your account of Wilson during the times you hunted with him—and also some account of the New Species you figure in the american Ornithology—
I am happy to learn you intend figuring the learned Men of America as accompanyment to your work particularly the ornithologists, do you know the painter of the portrait of Wilson—I have three portraits of him in the House, and also a profile taken by the machine I should like to have your opinion of them one of the portraits was painted from an original that went to America—
I shall expect to hear you are coming soon—Mr Lizars will tell you about coaches—&c
With best regards believe me
Sincerely yours
Wm Jardine
[Addressed] J. Audubon Esqr
Care of W. H. Lizars Esqr
3 James Square
Edinburgh.
TITLE PAGE OF VOLUME I OF THE "ORNITHOLOGICAL BIOGRAPHY."
From a copy presented by Audubon to William MacGillivray and bearing the latter's signature.
Audubon was not outstripped by his Edinburgh rivals, who to all appearances had planned to cover the field of American ornithology so thoroughly as to render his work a drug on the market, if not to make it superfluous. Whether this were really true or not, there is no doubt that Audubon's activity furnished the stimulus to the sudden appreciation of the work of his predecessor that was manifested in Edinburgh at this very moment of time. It will be interesting to see just what these rival enterprises were. Professor Jameson, who had been of great service to Audubon at the beginning of his undertaking, prepared a pocket edition of Wilson's and Bonaparte's Ornithology, with miniature plates which were issued separately, and the two works, which were intended to go together, were published in 1831.[385] Sir William Jardine brought out an edition of Wilson's and Bonaparte's work, in three large volumes, with plates engraved by W. H. Lizars after the originals and carefully colored by hand.[386] This was thoroughly legitimate enterprise, but the climax was reached when Captain Thomas Brown began to publish an "Audubonized edition" of Wilson's and Bonaparte's plates, or an attempt to present their plates of American birds in the Audubonian manner, to the extent at least of showing the characteristic flowers, trees, and insects of the American continent, a plan to which some of Audubon's earlier critics in Philadelphia had offered strenuous objection. Brown's large atlas of plates[387] was issued in parts, from 1831 to 1835, and was intended as a further companion to Jameson's text for all who could afford that expensive form of illustration. By a curious coincidence Audubon's Ornithological Biography (vol. i), Jameson's edition of Wilson and Bonaparte (vol. i), and Brown's Illustrations (pt. i), were all noticed on the same page of the London Literary Gazette for April 9, 1831. "This day is published," so reads the advertisement of Audubon's work, "price 25s. in royal octavo, cloth, Ornithological Biography...." If the desire of these various editors were to cripple the work of the American naturalist, their efforts were certainly vain, for he was able to make his way against all competitors. Brown's work was a failure, so few copies having been distributed that it is doubtful if more than one ever came to this country, and only one is known to be in possession of any large library in England.
Audubon's initial volume of the Biography was well received and drew forth immediate and unstinted praise from many sources. He was anxious that MacGillivray should contribute some account of it to the London Quarterly Review, then under the editorial management of John Gibson Lockhart, but his suggestion was coldly received and drew forth the following declaration of independence from his able, if as yet undistinguished, coadjutor:[388]