The second (?) European edition of Wilson and Bonaparte, with 97 hand-colored plates engraved by Lizars. The Caledonian Mercury in noticing the work, October 29, 1831, said: "It must be highly gratifying to the friends and connections of poor Sandy Wilson to see such honor, at last, paid to his memory in his native land."
[387] Illustrations of the American Ornithology of Alexander Wilson and Charles Lucien Bonaparte, Prince of Musignano. With the addition of numerous Recently Discovered Species, and Representations of the Whole Sylva of North America. By Captain Thomas Brown [etc., etc.]. Folio, with engraved title, engraved dedication, index, and 124 engraved and hand-colored plates. Edinburgh, Frazer & Co., 54 North Bridge, William Curry, Jun'r & Co., Dublin & Smith, Elder & Co., 65 Cornhill, London, MDCCCXXXV.
It is stated by the editor of this extraordinary work that he had added 161 birds, and that 87 have been considerably enlarged. There are 167 representations of American trees and shrubs, said to have been copied for the most part from Michaux' Silva. The striking Hibiscus grandiflorus (plate xli) was taken without acknowledgment from Audubon's drawing of the Blue-winged Warbler (The Birds of America, plate xx). For the most part the figures of birds are redrawn from Wilson and Bonaparte and given new positions and backgrounds. A few of the plates, as that of the California Vulture (no. 1), bear the legend, "Drawn by Captn. Tho. Brown;" all are uneven, and many extremely poor in execution, the fourteen by W. H. Lizars being the best. J. B. Kidd, for a time associated with Audubon (see [Vol. I, p. 446]) is credited with four plates; other engravers employed on the work were James Turvey, who executed the elaborate title, Samuel Milne, James Mayson, R. Scott, J. & J. Johnstone, E. Mitchell, William Davie, S. A. Miller, John Miller, Audw. Kilgour, Wm. Warwick, and W. McGregor. Plate xiv, the Snowy Owl, Strix nyctea, engraved by the editor, has the interest of a caricature. Some plates show as many as fourteen birds in a medley of brilliant foliage, flowers and fruits. The violence of the coloring is often such as to destroy the effect of the best plates, and gaudy butterflies flit through the pages as if they were the common food of every species, not excluding the American grouse (see [Note, Vol. I, p. 359]).
Captain Brown's Illustrations were said by a writer in the Edinburgh Literary Journal for April 9, 1831, "to form a companion to the letterpress in Constable's Miscellany (see [Note, Vol. I, p. 442]); price, colored, 15 shillings; plain, 10s. 6d. A few in elephant folio (same size as Selby's British Ornithology); colored, 1 guinea. To be completed in 10 parts, each containing 5 colored plates; 22 inches long by 17 inches broad, being considered more than double the size of the original work." The first number of this work was reviewed in the London Literary Gazette for October 8, 1831, when it was said that in it were represented 25 birds, 13 forest trees, and 12 insects; the completed work would comprehend "all the forest trees of America, with their fruits, together with the principal insects of the country," as well as all the birds that had been discovered up to the time of issue.
Brown's piratical work must have had a very limited circulation, since it is now so rare that not even the British Museum possesses a copy, and, so far as known, it is not found in any public library of the United States. I was told at Wheldon's, the London shop devoted to works on natural history, that but two copies had ever been handled, and that they commanded a high price. The work was originally sold at £26. The only copy known to me is in the library of the Zoological Society in London, from which the present citation is made; on one of its fly-leaves is written this note: "I have seen the wrapper of No. 1 of this work. It is dated 1831. There is no information as to its contents. C. Davis Sanborn. 22.5.05." This copy was referred to by Dr. Theodore Gill; see The Osprey, vol. v, pp. 31 and 109 (Washington, 1900 and 1901). Dr. Walter Faxon has traced two other copies, one formerly in possession of Professor Alfred Newton, and another, but very imperfect set, in a private library at Tarrytown, New York. According to Faxon, a single brown paper wrapper preserved in the Tarrytown copy bears a full printed title, which differs, however, from that which was subsequently engraved for the completed work; for fuller citation, see "A Rare Work on American Ornithology," The Auk, vol. xx (1903), pp. 236-241.
Mr. Ruthven Deane has written me that several years ago he secured in New York a fragment of this work, consisting of the paper wrappers of four Parts, Nos. 1-4, the last three of which contained five plates each; there were in addition 10 scattered plates, making 25 plates in all; the price of "21 Shillings" is printed on each of the wrappers, which also bear the date "1831," but no titles.
Another pirated work, Illustrations of the Genera of Birds, by the same author, was begun in 1845, but met with even less success, and was never completed; this was taken from A List of the Genera of Birds, published in 1840 by George Robert Gray, and according to Alfred Newton (A Dictionary of Birds, London, 1896, p. 30, note) was "discreditable to all concerned with it."
[388] See Ruthven Deane ([Bibl. No. 209]), The Auk, vol. xviii (1901). The extract is from a letter dated "Edinburgh, 22 Warriston Crescent 7th May, 1831."
[389] Kidd, who was twenty-three at the time he began to work for Audubon, died in 1889, when he had attained his eighty-first year.