Not much in the world, all this, for Sanders!—not much of rest, or comfort, or happy sunshine,—not much of song or laughter, the pipe of birds or smell of sweet blossoms,—not much room for gratitude or courage or human kindness or charity. Only the ceaseless engine-bell, the grime, the sulphurous hellish smoke, the driving rain, the ice and dust,—only the endless monotony of ill-smelling, steaming carts, the smoke-stained signal-flag and greasy lantern,—only the tottering shanty with the two beds, the stove, and the few chairs and table,—only the blue-eyed crippled girl who wound her thin arms about his neck.

It was on Sundays in the summer that the dreary monotony ceased. Then Sanders would carry her to the edge of the woods, a mile or more back of the cut. There was a little hollow carpeted with violets, and a pond, where now and then a water-lily escaped the factory boys, and there were big trees and bushes and stretches of grass, ending in open lots squared all over by the sod gatherers.

On these days Sanders would lie on his back and watch the treetops swaying in the sunlight against the sky, and the girl would sit by him and make mounds of fresh mosses and pebbles, and tie the wild flowers into bunches. Sometimes he would pretend that there were fish in the pond, and would cut a pole and bend a pin, tie on a bit of string, and sit for hours watching the cork, she laughing beside him in expectation. Sometimes they would both go to sleep, his arm across her. And so the summer passed.

One day in the autumn, at twelve-o'clock whistle, a crowd of young ruffians from the bolt-works near the brewery swept down the crossing chasing a homeless dog. Sanders stood in the road with his flag. A passing freight train stopped the mob. The dog dashed between the wheels, doubling, and then bounding up the slope of the cut, sprang through the half-open door of the shanty. When he saw the girl he stopped short, hesitated, looked anxiously into her face, crouched flat, and pulling himself along by his paws, laid his head at her feet. When Sanders came home that night the dog was asleep in her lap. He was about to drive him out until he caught the look in her face, then he stopped, and laid his empty dinner-pail on the shelf.

"I seen him a-comin'," he said; "them rats from the bolt-factory was a-humpin' him, too! Guess if the freight hadn't a-come along they'd a-ketched him."

The dog looked wistfully into Sanders's face, scanning him curiously, timidly putting out his paw and dropping it, as if he had been too bold, and wanted to make some sort of a dumb apology, like a poor relation who has come to spend the day. He had never had any respectable ancestors,—none to speak of. You could see that in the coarse, shaggy hair, like a door mat; the awkward ungainly walk, the legs doubling under him; the drooping tail with bare spots down its length, suggesting past indignities. He was not a large dog—only about as high as a chair seat; he had mottled lips, too, and sharp, sawlike teeth. One ear was gone, perhaps in his puppyhood, when some one had tried to make a terrier of him and had stopped when half done. The other ear, however, was active enough for two. It would curl forward in attention like a deer's, or start up like a rabbit's in alarm, or lie back on his head when the girl stroked him to sleep. He was only a kickable, chasable kind of a dog,—a dog made for sounding tin pans tied to his tail and whooping boys behind.

All but his eyes! These were brown as agates, and as deep and clear. Kindly eyes that looked and thought and trusted. It was these eyes that first made the girl love him; they reminded her, strange to say, of her father's. She saw, too, perhaps unconsciously to herself, down in their depths, something of the same hunger for sympathy that stirred her own heart—the longing for companionship. She wanted something nearer her own age to love, though she never told her father. This was a heartache she kept to herself, perhaps because she hardly understood it.

The dog and the girl became inseparable. At night he slept under her bed, reaching his head up in the gray dawn, and licking her face until she covered him up warm beside her. When the trains passed he would stand up on his hind legs, his paws on the sill, his blunt little nose against the pane, whining at the clanging bells, or barking at the great rings of steam and smoke coughed up by the engines below.

She taught him all manner of tricks. How to walk on his hind feet with a paper cap on his head, a plate in his mouth, begging. How to make believe he was dead, lying still a minute at a time, his odd ear furling nervously and his eyes snapping fun; how to carry a basket to the grocery on the corner, when she would limp out in the morning for a penny's worth of milk or a loaf of bread, he waiting until she crossed the street, and then marching on proudly before her.

With the coming of the dog a new and happier light seemed to have brightened the shanty. Sanders himself began to feel the influence. He would play with him by the hour, holding his mouth tight, pushing back his lips so that his teeth glistened, twirling his ear. There was a third person now for him to consult and talk to. "It'll be turrible cold at the crossin' to-day, won't it, Dog?" or, "Thet's No. 23 puffin' up in the cut: don't yer know her bell? Wonder, Dog, what she's switched fur?" he would say to him. He noticed, too, that the girl's cheeks were not so white and pinched. She seemed taller and not so weary; and when he walked up the cut, tired out with the day's work, she always met him at the door, the dog springing half way down the slope, wagging his tail and bounding ahead to welcome him. And she would sing little snatches of songs that her mother had taught her years ago, before the great flood swept away the cabin and left only her father and herself clinging to a bridge, she with a broken back.