Felix O'Day

by Francis Hopkinson Smith

Had you inquired about Pestler, the druggist, there would have followed some such reply as: “Pestler? Did you say? Because Pestler is one of the most surprising men I know. He has kept that same shop, he tells me, for twenty-two years. Of course, he knows only a very little about drugs—just enough to keep him out of the hands of the police—but then none of you are aware, perhaps, that Pestler is also a student? You might think, when you saw only the top of his fuzzy, half-bald head sticking up above the wooden partition, that he was putting up a prescription, but you would be wrong. What he is really doing, with the aid of his microscope, is dissecting bugs, and pasting them on glass slides for use in the public schools. And he plays the violin—and very well, too! He often entertains me with his music.”

Sanderson, the florist, was another denizen who interested him. To look at Sanderson tying ribbons on funeral wreaths, no one would ever have supposed that there was rarely a first night at the opera at which he was not present, paying for his ticket, too, and rather despising Pestler, who got his theatre tickets free because he allowed the managers the use of his windows for advertisements. Felix forgave even his frozen roses whenever the Scotchman, having found a sympathetic listener, launched out upon his earlier experiences among opera stars, especially his acquaintance with Patti, whom he had known before she became great and whom he always spoke of as devotees do of the Madonna—with bated breath and a sigh of despair that he would never hear her again.

Then, too, there was Codman. O'Day was always enthusiastic over Codman. “I have taken a great fancy to that fishmonger, and a fine fellow he is,” he said one night to Kitty and John. “His shop was shut when I first called on him, but he was good enough to open it at my knock, and I have just spent half an hour, and a very delightful half-hour, watching him handle the sea food, as he calls it, in his big refrigerator. I got a look, too, at his chest and his arms, and at his pretty wife and children. She is really the best type of the two. American, you say, both of them, and a fine pair they are, and he tells me he pulled a surf-boat in your coast-guard when he was a lad of twenty, then took up fishing, and then went into Fulton Market, helping at a stall, and now he is up here with two delivery wagons and four assistants and is a member of a fish union, whatever that is. It's astonishing! And yet I have met him many a time pushing his baby-carriage around the block.”

“Yes,” Kitty answered, putting on a shovel of coal, “and I'll lay ye a wager, Mr. O'Day, that Polly Codman will be drivin' through Central Park in her carriage before five years is out; and she deserves it, for there ain't a finer woman from here to the Battery.”

“I am quite sure of it, Mistress Kitty. That is where the American comes in—or, perhaps it is the New Yorker. I have not been here long enough to find out.”

Of all these neighbors, however, it was Timothy Kelsey, the hunchback, largely because of his misfortunes and especially because of his vivid contrast to all the others, who appealed to him most. Tim, as has been said, kept the second-hand book-shop, half-way down the block on the opposite side of the street. He was but a year or two older than O'Day, but you would never have supposed it had Tim not told you—and not then unless you had looked close and followed the lines of care deep cut in his face and the wrinkles that crowded close to his deep, hollowed-out eyes. When he was a boy of two, his sister, a girl of six, had let him drop to the sidewalk, and he had never since straightened his back. The customary outlets by which fully equipped men earn their living having been denied Tim, he had passed his boyhood days in one of the small, down-town libraries cataloguing the books. With this came the opportunity to attend the auction sales when some rare volume was to be bid for, he representing the library. A small shop of his own followed in the lower part of the town, and then the one a little below Kling's, where he lived alone with only a caretaker to look after his wants.

Kelsey had arrived one morning shortly after Felix had entered Kling's service, carrying a heavily bound book which he laid on a glass case under Otto's nose. “Take a look at it, Otto,” he said, after pausing a moment to get his breath, the volume being heavy. “There is more brass than leather on the outside, and more paint than text on the inside. I have two others from the same collection. It is in your line rather than in mine, I take it. What do you think of it? Could you sell it?”

Kling dropped his glasses from his forehead to the bridge of his flat nose. “Vell! Dot is a funny-looking book, Tim. Dot is awful old, you know.”

“Yes, seventeenth century, I think,” replied Tim.

“Vot you tink, Mr. O'Day? Ain't dot a k'veer book? Oh, you don't have met my new clerk, have you, Tim? Vell dot's funny, for he lives over at Kitty's. Vell, dis is him—Mr. Felix O'Day. Tim Kelsey is an olt friend of mine, Mr. O'Day. You must have seen dot k'veer shop vich falls down into de cellar from de sidevalk—vell, dat's Tim's.”