“And how clever you are to have chosen this room for these delightful meetings, of which Monsieur Marc has told me,” she continued, her eyes wandering again over the several objects, while her personality completely dominated everything. “Nobody but Lemois would have brought them all together. What a genius he is! Think of his putting that wooden angel where its golden crown can become an aureole in the candle-light: he has done that since my last visit. And that other one—really the rarest thing he owns—in the dark corner by the fireplace. May I tell you about it before he comes back? It is of the fifteenth century, and is called the ‘Bella Nigra’—the Black Virgin. Look at it, all of you, while I hold the candle. You see the face is black, the legend running, ‘I am beautiful though black because the sun has looked at me so long.’ You notice, too, that she has neither arms nor legs—a symbol of nobility, showing she need neither work nor walk, and the triple crown means that she is Queen of Heaven, Earth, and Sea. Why he pokes her in a dark corner I cannot imagine, except that it is just like him to do the queerest things—and say them too. And yet, he is such a dear—and so funny! You cannot think what funny things he does and says until you watch him as I have. Why is it, Monsieur Brierley, that you have never put him into one of your books—you who write such charming stories of our coast? Only this summer something occurred which I laugh over every time I think of it. The Cabourg races were on and the court-yard outside was packed with people who had come for luncheon before the Prix Lagrange was run. They were making a good deal of noise—a thing the old gentleman hates, especially from loudly dressed women. I was at the next table, sheltered from the others, and was enjoying the curious spectacle—such people always interest me—when I noticed Monsieur Lemois rubbing his hands together, talking to himself, his eyes fixed on the group. I knew one of his storms was brewing, and was wondering what would happen, when I saw him start forward as another uproarious laugh escaped one of the most boisterous.
“‘Mademoiselle,’ he said in his softest and most courteous tone, hat in hand, bowing first to her and then to her male companions; ‘mademoiselle, I love to hear you laugh; I built this place for laughter, but when you laughed so very loud a moment ago my flowers were so ashamed they hung their heads,’ and then he kept on bowing, his hat still in his hand, his face calm, his manner scrupulously polite. Nobody was offended. They seemed to think it was some kind of a compliment; the rebuked woman even turned her head toward the big hydrangeas as if trying to find out how they really felt about it. Oh!—he is too delicious for words.”
And so it went on until before the dinner was over she had captured every man in the room—both by what she said and the way she said it—her eyes flashing like a revolving light, now dim, now brilliant with the thoughts behind them, her white teeth gleaming as she talked. Marc seemed beside himself with pride and happiness. “Never was there such a woman,” he was pouring into Herbert’s ear; “and you should see her pictures and her stables and her gun-room. Really the most extraordinary creature I have ever known! Does just as she pleases—a tramp one day and a duchess the next. And you should watch her at the head of her table in her château—then you will know what a real ‘Grande Dame’ is.”
While the others were crowding about her, Marc eager to anticipate her every wish in the way of cushions, footstools, and the like, I went to find Lemois, who was just outside, his hands laden with a tray of cordials.
“Oh, for years,” he whispered back. “I did not tell you, for I wanted to see your surprise and surrender. It is always the same story with her. She does not live here except for a month or so in the autumn, when the small villa on the bluff above Buezval—two miles from here—is opened; a little box of a place filled with costly bric-à-brac. Her great château—the one in which she really lives—is on an estate of some thousands of acres near Rouen, and is stocked with big game—boar and deer. The marquis—and a great gentleman he was—died some twenty years ago. Madame paints, carves ivories, binds books, shoots, fishes, speaks five languages, has lived all over the world and knows everybody worth knowing. No one in her youth was more beautiful, but the figure has gone, as you see—and it is such a pity, for it was superb; only the eyes and the teeth are left—and the smile. That was always her greatest charm, and still is—except her charities, which never cease.”
Her musical voice was still vibrating through the room as I re-entered.
“No, I don’t agree with you, Monsieur Herbert,” she was saying. “It is shameful that we do not keep closer to the usages and requirements of the old régime. In my time a woman would have excited comment who did not wear her finest gown and her choicest jewels in so select a company as this; and often very extraordinary things happened when any one defied the mandate. I remember one very queer instance which I wish I could tell you about—and it resulted in all sorts of dreadful complications. I became so adept a fibber in consequence that I wasn’t able to speak the truth for months afterward—and all because this most charming girl wouldn’t wear a low gown at one of our dinners.”
Herbert beat the air with his hand. “Keep still, everybody—madame la marquise is going to tell us a story.”
“Madame la marquise is going to do nothing of the kind. She has enough sins of her own to answer for without betraying those of this poor girl.”