Mrs. Mulligan, in white apron, a French cap on her head, and looking as fresh and clean as a trained nurse, opened the door. Margaret had looked her up the very day she landed, and had placed her in charge of her apartment as cook, housekeeper, and lady's maid, with full control of the front door and of her studio. The old woman was not hard to trace; she had followed the schools of the academy from their old quarters to the new marble building on Twenty-third Street, and was again posing for the draped-life class and occasionally lending a hand to the new janitor. Margaret's life abroad had taught her the secret of living alone, a problem easily solved when there are Mrs. Mulligans to be had for the asking.
"Yes, Mr. Oliver, she's insoide. Oh! it's fri'nds ye hev wid ye!" and she started back.
"Only my father and Mr. Gill," and he brushed past Mrs. Mulligan, parted the heavy portieres that divided Madge's working studio from the narrow hall, thrust in his head and called out, in his cheeriest voice:
"Madge, who do you think is outside? Guess! Father and Uncle Nat. Just arrived this morning."
Before Margaret could turn her head the two stood before her: Richard with his hat in his hand, his brown overcoat with the velvet collar over his arm—he had slipped it off outside—and Nathan close behind, still in the long, pen-wiper cloak.
"And is it really the distinguished young lady of whom I have heard so much?" exclaimed Richard with his most courtly bow, taking the girl's outstretched hand in both of his. "I am so glad to see you, my dear, both on your own account and on account of your brother, whom we once sheltered. And how is he now? and your dear mother?"
To all of which Margaret answered in low gentle tones, her eyes never leaving Richard's, her hand still fast in his; until he had turned to introduce Nathan so that he might pay his respects.
Nathan, in his timid halting way, stepped from behind Richard, and taking her welcoming hand, told her how much he had wanted to know her, since he had seen the picture she had painted, then hanging in Miss Lavinia's home; both because it was the work of a woman and because too—and he looked straight into her eyes when he said it and meant every word—she was the sister of the poor fellow who had been so shamefully treated in his own city. And Margaret, her voice breaking, answered that, but for the aid of such kind friends as himself and Oliver, John might never have come back, adding, how grateful she and her whole family had been for the kindness shown her brother.
While they were talking, Richard, with a slight bow as if to ask her permission, began making the tour of the room, his glasses held to his eyes, examining each thing about him with the air of a connoisseur suddenly ushered into a new collection of curios.
"Tell me who this sketch is by," he asked, stopping before Margaret, and pointing to a small Lambinet, glowing like an opal on the dull-green wall of the studio. "I so seldom see good pictures that a gem like this is a delight. By a Frenchman! Ah! Yes, I see the subtlety of coloring. Marvellous people, these Frenchmen. And this little jewel you have here? This bit of mezzo in color. With this I am more familiar, for we have a good many collections of old prints at home. It is, I think—yes—I thought I could not be mistaken—it is a Morland," and he examined it closely, his nose almost touching the glass.