While Nathan saw only the color and beauty of it all, Richard's keener mind was analyzing the causes that had led up to such a gathering, and the skill and taste with which the banquet had been carried out. He felt assured that the men who could idle so luxuriously, and whose technical knowledge had perfected the artistic effects about him, could also work at their several professions with equal results. He was glad that Oliver had been found worthy enough to be admitted to such a circle. He loved, too, to hear his son's voice and watch the impression his words made on the room. As the evening wore on, and he listened to his banter, or caught the point of the jests that Oliver parried and heard his merry laugh, he would slip his hand under the table and pat his boy's knee with loving taps of admiration, prouder of him than ever. His own pleasures so absorbed him that he continued to sit almost silent, except for a word now and then to Nathan or a monosyllable to Fred.
The guests who were near enough to observe the visitors closely soon began to look upon Richard and Nathan as a couple of quaint, harmless, exceedingly well-bred old gentlemen, rather provincial in appearance and a little stilted in their manners, who, before the evening was over, would, perhaps, become tired of the gayety, ask to be excused, and betake themselves to bed. All of which would be an eminently proper proceeding in view of their extreme age and general infirmities, old gentlemen of three score years and over appearing more or less decrepit to athletes of twenty and five.
Waller was the only man who really seemed to take either of them seriously. After a critical examination of Richard's head in clear relief under the soft light of the candles, he leaned over to Stedman and said, in a half whisper, nodding toward Richard:
"Stedman, old man, take that in for a minute. Strong, isn't it?
Wouldn't you like to paint him as a blessed old Cardinal in a red gown?
See how fine the nose is, and the forehead. Best head I've seen
anywhere. Something in that old fellow."
The dinner went on. The Malays in scarlet and yellow served the dishes and poured the wine with noiseless regularity. The men at arms at each side of the door rested their legs. The two blackamoors, guarding the High Pan-Jam's chair, and who had been promised double pay if they kept still during the entire evening, had not so far winked an eyelid. Now and then a burst of laughter would start from one end of the table, leap from chair to chair, and end in a deafening roar in which the whole room joined. Each man was at his best. Fred, with entire gravity, and with his sternest and most High Pan-Jam expression, told, just after the fish was served, a story of a negro cook at a camp so true to life and in so perfect a dialect that the right-hand blackamoor doubled himself up like a jack-knife, much to the astonishment of those on the far side of the big round table, who up to that moment had firmly believed them to be studio properties with ebony heads screwed on bodies of iron wire, the whole stuffed with curled hair. Bianchi, Who had come in late, clothed in a Burgomaster's costume and the identical ruff that Oliver had expected to paint him in the night when the Countess took his place, was called to account for piecing out his dress with a pair of breeches a century behind his coat and hat, and had his voice drowned in a roar of protests before he could explain.
Batterson, the big baritone of the club, Batterson with the resonant voice, surpassed all his former efforts by singing, when the cheese and salads were served, a Bedouin love-song, with such power and pathos and to the accompaniment of a native instrument so skilfully handled that the room rose to its feet, waving napkins, and the great Carvalho, the famous tenor—a guest of Crug's, each member could invite one guest—who was singing that week at the Academy of Music, left his seat and, circling the table, threw his arms about the singer in undisguised admiration.
When the cigars and liqueurs had been passed around—these last were poured from bubble-blown decanters and drunk from the little cups flecked with gold that Munson had found in an old shop in Ravenna—the chairs were wheeled about or pushed back, and the members and guests rose from the table and drifted to the divans lining the walls, or threw themselves into the easy-chairs that were being brought from the corners by the waiters. The piano, with the assistance of the two now crest-fallen and disappointed blackamoors, who, Eurydice like, had listened and lost, was pushed from its place against the wall; Crug's 'cello was stripped of its green baize bag and Simmons's violin-case opened and his Stradivarius placed beside it. The big table, bearing the wreck of the feast, more captivating even in its delightful disorder than it had been in its orderly confusion, was then, with the combined help of all the Malays, moved gently back against the wall, so as to widen the space around the piano, its debris left undisturbed by special orders from the Royal Chair, the rattling of dishes while their fun was in progress being one of the things which the club would not tolerate.
While all this rearranging of the banquet-hall was going on, Simmons was busying himself putting a new bridge under the strings of his violin, tightening its bow, and testing the condition of his instrument by that see-saw, harum-scarum flourish so common to all virtuosos;—no function of the club was ever complete without music—the men meanwhile settled themselves comfortably in their seats; some occupying their old chairs, others taking possession of the divans, the gay costumes of the members, and the black coats and white shirt-fronts of the guests in high relief against the wrecked dinner-table presenting a picture as rich in color as it was strong in contrast.
What is so significant, by the way, or so picturesque, as a dinner-table wrecked by good cheer and hospitality? The stranded, crumpled napkins, the bunching together of half and wholly emptied glasses, each one marking a period of content—the low candles, with half dried tears still streaming down their cheeks (tears of laughter, of course); the charming disorder of cups on plates and the piling up of dishes one on the other—all such a protest against the formality of the beginning! and all so suggestive of the lavish kindness of the host. A wonderful object-lesson is a wrecked dinner-table, if one cares to study it.
Silence now fell upon the room, the slightest noise when Simmons played being an unpardonable sin. The waiters were ordered either to become part of the wall decoration or to betake themselves to the outside hall, or the infernal regions, a suggestion of Waller's when one of them rattled some glasses he was carrying on a tray.