"Did you ever happen to hear 'The Old Kentucky Home'?" Oliver asked
Simmons. "No? Well, it goes this way," and he struck the chords.
"You play it," said Simmons, rising from the stool.
"Oh, I can only play the chords, and not all of them right—" and he took Simmons's seat. "Perhaps I can get through—I'll try it," he added, simply, and squared himself before the instrument and began the melody.
The sun shines bright in the old Kentucky home, 'Tis summer, the darkies are gay. The corn-top's ripe and the meadow is in bloom, While the birds make music all the day.
Weep no more, my lady—oh, weep no more to-day! We'll sing one song for the old Kentucky home, For the old Kentucky home far away.
As the words rolled from his lips Oliver seemed to forget the scene before him. Somehow he could see the light in Sue's eyes, as she listened, and hear her last words. He could hear the voice of his mother, and feel her hand on his head; and then, as the soft vowels and cadences of the quaint melody breathed themselves out, he could catch again the expression of delight on the face of Malachi—who had taught him the song—as he listened, his black cheek in his wrinkled palm. It was a supreme moment with Oliver. The thrill of happiness that had quivered through him for days, intensified by this new heaven of Bohemia, vibrated in every note he uttered.
The effect was equally startling on those about him. Cranch craned his head, and for once lowered his voice to a whisper in speaking to the man next him. Bowdoin, the painter, and one of the guests, left his seat and tip-toed to the piano, his eyes riveted on Oliver's face, his whole being absorbed in the melody. Bianchi and Waller so far lost themselves that their pipes went out, while Simmons was so entranced that he forgot to applaud when Oliver finished.
The effect produced was not so much due to the quality in Oliver's voice—sweet and sympathetic as it was—nor to his manner of singing, nor to the sentiment of the song itself, but to the fact of its being, with its clear, sweet notes, a positive contrast to all of noise and clamor that had gone before. This fact, more than any other, made his listeners hold their breath in wonder and delight. It came like the song of a bird bursting out after a storm and charming everyone with the beauty of its melody, while the thunder of the tempest still reverberated through the air.
In the hush of the death-like stillness that followed, the steady tramp of feet was heard on the staircase, and the next instant the head of a young man, with a rosy face and side-chop coachman whiskers, close-cut black hair and shoe-button eyes, glistening with fun, was craned around the jamb of the door.
It was the property of Mr. Cornelius McFudd!