Max straightened up and threw out his chest and a determined look came into his eyes. If he had had any doubts as to his departure Lucy's pleading voice had now removed them.
"No, can't do it," he answered in mock positiveness. "Can't 'pon my soul. Business is business. Got to see Morton right away; ought to have seen him before." Then he added in a more serious tone, "Don't get worried if I stay a day or two longer."
"Well, then, go, you great bear, you," and she rose to her feet and shook out her skirts. "I wouldn't let you stay, no matter what you said." She was not angry—she was only feeling about trying to put her finger on the particular button that controlled Max's movements. "Worried? Not a bit of it. Stay as long as you please."
There WAS a button, could she have found it. It was marked "Caution," and when pressed communicated to the heir of Walnut Hill the intelligence that he was getting too fond of the pretty widow and that his only safety lay in temporary flight. It was a favorite trick of his. In the charting of his course he had often found two other rocks beside Scylla and Charybdis in his way; one was boredom and the other was love. When a woman began to bore him, or he found himself liking her beyond the limit of his philosophy, he invariably found relief in change of scene. Sometimes it was a sick aunt or a persistent lawyer or an engagement nearly forgotten and which must be kept at all hazards. He never, however, left his inamorata in either tears or anger.
"Now, don't be cross, dear," he cried, patting her shoulder with his fingers. "You know I don't want to leave you. I shall be perfectly wretched while I'm gone, but there's no help for it. Morton's such a fussy old fellow—always wanting to do a lot of things that can, perhaps, wait just as well as not. Hauled me down from Walnut Hill half a dozen times once, and after all the fellow wouldn't sell. But this time it's important and I must go. Bones," and he lifted his finger to the boy, "tell John I want the light wagon. I'll take the 11.12 to Philadelphia."
The tiger advanced ten steps and stood at attention, his finger at his eyebrow. Lucy turned her face toward the boy. "No, Bones, you'll do nothing of the kind. You tell John to harness the grays to the drag. I'll go to the station with Mr. Feilding."
Max shrugged his shoulders. He liked Lucy for a good many things—one was her independence, another was her determination to have her own way. Then, again, she was never so pretty as when she was a trifle angry; her color came and went so deliciously and her eyes snapped so charmingly. Lucy saw the shrug and caught the satisfied look in his face. She didn't want to offend him and yet she didn't intend that he should go without a parting word from her—tender or otherwise, as circumstances might require. She knew she had not found the button, and in her doubt determined for the present to abandon the search.
"No, Bones, I've changed my mind," she called to the boy, who was now half way down the piazza. "I don't think I will go. I'll stop here, Max, and do just what you want me to do," she added in a softened voice. "Come along," and she slipped her hand in his and the two walked toward the door of his apartments.
When the light wagon and satin-skinned sorrel, with John on the seat and Bones in full view, stopped at the sanded porch, Mrs. Coates and Lucy formed part of the admiring group gathered about the turn-out. All of Mr. Feilding's equipages brought a crowd of onlookers, no matter how often they appeared—he had five with him at Beach Haven, including the four-in-hand which he seldom used—but the grays and the light wagon, by common consent, were considered the most "stylish" of them all, not excepting the drag.
After Max had gathered the reins in his hands, had balanced the whip, had settled himself comfortably and with a wave of his hand to Lucy had driven off, Mrs. Coates slipped her arm through my lady's and the two slowly sauntered to their rooms.