Murphy, the journalist, being poor himself, had other views of life. To him MacWhirter and his intimates were men after his own heart. He and they had followed the same road, although with different aims. They understood each other. As to the rich banker, if the journalist considered him at all it was purely in the line of his own calling—just so much material for future columns of type, whenever he could utilize either his personality or his views.

"No, I don't think American Bohemian life—which is a misnomer," said Murphy in answer to one of the banker's inquiries, "because no such thing exists—is any different from any other such life the world over. We are a class to ourselves, but we in no way differ from our brothers of the brush and quill abroad. I, of course, am only allowed to creep around the outside edges, but even that small privilege affords me more pleasure than any other I possess. Murray Hill and Belgravia may be necessary to our civilization, but neither one nor the other interests the man who has any purpose in life. Take, for instance, these men here," and he pointed to Mac, who was for the moment driving a wooden spigot into the keg of beer. "Look at MacWhirter. He doesn't want any liveried servant to wait on him; he would serve that beer himself if there was a line of flunkies extending from the door to the sidewalk."

"That's what I like him for," cried the banker, jumping up, "and I'm going to help him," and he carried some of the mugs over to Mac's side. "Here, fill these, Mr. MacWhirter."

"Bully for him!" muttered Pitkin, turning to me as if for confirmation. "Didn't know it was in him."

"This mug's for you, Mr. MacWhirter," cried out the banker, with an enthusiasm he had not shown since his college days, as he handed the mug to Mac, who drank its contents, his merry eyes fixed on the banker.

"See the monarch picking up the painter's brushes," whispered Boggs to Marny from behind his hand.

And so the evening went on, the mugs being filled and emptied, the piano opened, Woods playing the accompaniment to all the songs the Irishman sang—and he had a dozen of them that no one had ever heard before—the banker and club man joining in the chorus. Then with pipes and mugs in hand the circle about the crackling logs was formed anew—this time twice its regular size to give Chief plenty of room—and the story-telling part of the evening began.

The club man told of a supper he had been to after the theatre in an uptown back room, in which a mysterious man and a veiled lady figured. Woods supplemented it by an experience of his own, having special reference to a lost lace handkerchief which had been discovered in the outside pocket of one of the male guests, producing uncomfortable consequences. I gave the details of a dinner where I had met a titled individual who claimed to be a mighty hunter of big game, and about whom the prettiest woman in the room had gone wild, and who turned out later to be somebody's footman.

Murphy, not to be outdone, and recognizing that his turn had come, remarked in a low voice that my story of big game reminded him "of something in his own experience," at which Boggs twisted his head to listen. It was evident to Boggs, and to the other habitués, that if the Irishman talked as well as he sang he would not only be a welcome guest at these "nights" but he might also attain to full membership in the charmed circle. Of one thing everybody was assured—there was no "water in his oil."

"It's about a fellow countryman of Mr. MacWhirter's, a Scotchman by the name of MacDuff," the Irishman began.