Think for a moment on his wretched fate
Whom friends and fortune quite disown.
Ill-satisfied keen nature’s clam’rous call,
Stretch’d on his straw he lays himself to sleep,
While through the ragged roof and chinky wall,
Chill, o’er his slumbers, piles the drifty heap.
...
Affliction’s sons are brothers in distress:
A brother to relieve, how exquisite the bliss!”
Again and again the question recurs, to quote from an able casuist on casual charity, why one man should be literally dying of want, whilst another is able to send him a cheque for £100 without thinking about it, or knowing that the money is gone? If Dives, it is asked, feels bound to give Lazarus so much, where does he draw the line? If the demand upon the superfluities of the rich is to be measured by the wants of the poor, why stop at £100 rather than £1000 or £10,000 or £100,000? “This is the question which lies at the root of half the melancholy sarcasms and still more melancholy wit of the present day. The writings of such men as Hood are little more than embodiments of it in a variety of forms, ludicrous or pathetic. It forms the burden of a whole class of literature, not the less influential because it is somewhat vague in its doctrines, and rests rather on sentiments than on dogmas.” Now this writer believes it to be always the best to look such questions in the face, and to attempt at least to give the true answer to them. And the answer, at least in part, in this instance, he takes to be that the antithesis is only sentimental, and not logical. The poverty of the very poor is not, he contends, either a cause or an effect of the riches of the very rich, nor would it be relieved by their permanent impoverishment. “That it is not a cause of their riches, is obvious from the fact that if by any change pauperism and misery were suddenly abolished, the rich would be all the richer.” But not to follow out a line of argument that would take us too far afield, we may advert to a corresponding essay, in the same Review, if not by the same contributor,—in which a picture is drawn of a rich man at church, who hears some stray verses in the second lesson, or some eloquent menace from the pulpit, which makes him very uncomfortable about the contrast between his own easy life and the massive wretchedness of Spitalfields or Poplar. The uneasiness is supposed to rankle in him for some time, spoiling his digestion, and making him very cross to his wife and daughters. Not that he “for a moment dreams of literally obeying the texts in the New Testament that have hit him hard; for he has a shrewd notion that they imply a very different state of society from the busy nineteenth century. He feels that he has no time for visiting the sick, and that if he had, the sick would think him a great nuisance; and he knows that when he got to the bedside, he would probably be at his wits’ ends for anything to say, and would end by twisting his watch-chain, and remarking that it was a cold day.” The practical inference is, that if he is to do any of the corporal works of mercy, he must do them by commission;—and so, at last, the irritation in his conscience throws itself out in the form of a liberal cheque upon his bankers. He, at least, will vindicate himself, so far as that vicarious beneficence may avail, from any possible charge of branded fellowship with such as the poet of the Seasons depicts, in