'He managed to save sufficient to purchase two volumes.'[ToList]

Precious indeed were these hardly-acquired volumes. Every moment that could be snatched from schoolwork or choir-practice was devoted to mastering the difficulties of the 'Gradus,' and in acquiring knowledge concerning the high office which he had secretly set his heart upon obtaining. There was unconscious humour in the fact that, following upon Reutter's reproof to his over-ambitious strivings, the chorister should have set himself to study the duties of his master's post. Yet the temptation to smile is checked by the thought of the lonely student giving up his play-hours to self-imposed study, battling in grim earnest with problems that might well have turned the edge of a determination less keen than that which was set to conquer them, and battling thus unassisted and often, no doubt, against the craving for food and fresh air which is inseparable from boyhood.

It would be wrong, however, to suppose that Haydn absented himself wholly from his companions and their merry games. There was within him a soul for play as well as for work, and there were occasions when the spirit of mischief obtained the ascendancy. The choir was frequently required to perform in the Royal Chapel when the Court was in residence at Schönbrunn. The palace there had been newly erected, and the workmen had not removed the scaffolding, a fact which was hailed with delight by the choir-boys as affording an unlooked-for means of relaxation. One after another climbed the poles, each striving to outdo the rest in attaining the highest point. In vain did the Empress Maria Theresa, who had perceived them from her windows, issue prohibitions and threaten dire punishment to the offenders—the sport went on unchecked. At length a moment arrived when Joseph, who had beaten his companions by climbing to the top of the tallest pole, and was daring them to come up to him, was detected by the Empress in the very act. The Hofcompositor was sent for, and the figure of Haydn rocking himself to and fro on the pole duly pointed out. 'Give that fair-haired blockhead einen recenten Schilling' (slang for a 'good hiding'); 'he is the ringleader of them all,' said the Empress. The descent of Joseph from his elevated perch, and the descent of the Hofcompositor's rod, were events which speedily followed the royal command.

A love of fun formed an essential part of Haydn's nature, but music came before anything else. Even when playing with his fellow-choristers in the cathedral square he would break away from the game at the first sound of the organ, and enter the church to listen. His desire to perfect himself in music was so strong that to the ordinary hours of study and practice he voluntarily added several more each day, with the result that he was often working sixteen or eighteen hours out of the twenty-four.

Five years had passed amidst these happy surroundings when Haydn awoke one morning with the joyous thought that that day was to witness the arrival of his younger brother Michael at the Cantorei. How eagerly he had looked forward to this break in his life, with what zeal he had planned how he was to assist Michael in his work, when he had smoothed the young one's entry, helped him over his shyness, and shown him all the delightful scenes and circumstances which his new life would comprise. It had infused new vigour into his resolutions, and fired him with fresh ardour for his own work, this coming of his brother to share with him the pleasures which he had possessed for so long alone.

Joseph's unselfish and generous feelings may have helped to blind his vision to the little cloud which, almost from the moment when Michael's pure young treble notes first soared aloft into the cathedral's vast recesses, had begun to shut out some of the sunshine that had gladdened his own existence. Certain it is that he had no inkling of the sorrow which his brother's advent was destined to bring upon him. Michael's progress was remarkably rapid, and it was soon apparent that Joseph's prospects were as surely declining. The voice which hitherto had enabled him to hold the chief place in the choir showed signs of breaking, and one after another of the solo parts which formerly he alone had been selected to sing were assigned to the new chorister. Joseph's failing powers were unmistakably betrayed when he sang before the Court, and, though intended only as a joke, the Empress's remark to Reutter that Haydn's singing had come to resemble the crowing of a cock, sufficed to open the Capellmeister's eyes to the fact that Joseph must be put back. Consequently, at the celebration of St. Leopold in the presence of the Emperor and Empress, the singing of the 'Salve Regina' fell to the lot of Michael, whose rendering so entranced his royal hearers that they presented the young chorister with a sum of twenty ducats.

To no one could it have been plainer than to poor Joseph himself that the sun of his glory at St. Stephen's had set never to rise again. His place was now virtually taken by the brother whose coming he had welcomed, and the royal favours which heretofore had been allotted to him were transferred to Michael for good. Mortified as he must have felt at the slight thus accorded to him, Haydn cherished no feelings of resentment towards the brother by whom he had been supplanted. He had the good sense to attribute his misfortune to his failing voice alone and to fall back upon the belief in his own powers to make his way as a musician, which formed his one unfailing resource and comfort during those darkening hours.

How long Haydn might have remained at the Cantorei, in spite of his breaking voice, and the consequent lessening of his importance as a member of the choir, cannot be told; but an incident which happened at this period settled his future as far as St. Stephen's was concerned, in a manner as summary as it was unexpected.