The accounts of the King's treasurer show that the building of the edifice and the gardens proceeded rapidly during the year 1687. By the end of November the royal master found his new residence "well advanced and very beautiful." Soon after the New Year he heard the opera "Roland" performed here, and was pleased to dine for the first time within the new walls. He gave orders on recurring visits for the embellishment of the summer palace. The Trianon of marble and porphyry, "the most graceful production of Mansard," was finally completed in the autumn of 1688. But the work of decoration went on under the hands of a horde of artists almost until the end of the monarch's reign.
Says an English author of a century ago: "In the midst of all the austerities imposed upon him by the ambition of Madame de Maintenon, the King went to Trianon to inhale the breath of the flowers which he had planted there, of the rarest and most odoriferous kind. On the infrequent occasions when the Court was permitted to accompany him thither to share in his evening collation, it was a beautiful spectacle to see so many charming women wandering in the midst of the flowers on the terrace rising from the banks of the canal. The air was so rich with the mingled perfume of violets, orange flowers, jessamines, tuberoses, hyacinths and narcissuses that the King and his visitors were sometimes obliged to fly from the overpowering sweets. The flowers in the parterres were arranged in a thousand different figures, which were constantly changed, so that one might have supposed it to be the work of some fairy, who, passing over the gardens, threw upon them each time a new robe aglow with color."
In the salons and copses where Louis the Great basked in the somewhat chary smiles of his latest (and last) favorite, his grandson, the fifteenth of his name, was to install the fascinating Madame de Pompadour. The very apartments once dedicated to the use of Madame de Maintenon, and later to Queen Marie Leczinska, became the living-rooms of the reigning mistress of the heart of Louis XV.
The Revolution spared the Grand Trianon. But under pretext of restoring it and rendering it, according to their tastes, more habitable, Napoleon First and Louis Philippe spared it less. The last king of France commanded in 1836 the architectural changes necessary to convert the Trianon into the royal residence, in place of the chateau of Versailles. He stayed here for the last time in the winter of 1848, before departing for Dreux. But, despite changes and mutilations, the facade and the interior of the rose-colored palace retain the stamp of the Great King who sponsored the Gallery of Mirrors, the Antechamber of the Bull's Eye, and the Chapel at Versailles.
CHAPTER V
A DAY WITH THE SUN KING
Louis the Magnificent, we must agree with that profuse and sharp-witted chronicler, the Duke of Saint-Simon, was made for a brilliant Court. "In the midst of other men, his figure, his courage, his grace, his beauty, his grand mien, even the tone of his voice and the majestic and natural charm of all his person, distinguished him till his death as the King Bee, and showed that if he had been born only a simple private gentleman, he would have excelled in fetes, pleasures and gallantry. . . . He liked splendor, magnificence and profusion in everything. Nobody ever approached his magnificence."
With sumptuous detail the King's day progressed at Versailles, from the formal "rising" to the hour when, with equal pomp, the monarch went to bed. Before eight o'clock in the morning the waiting-room next the King's bedchamber was the gathering-place of princes, nobles and officers of the Court, each fresh from his own laving and be-wigging. While they passed the time in low converse, the formal ceremony of the King's awakening took place behind the gold and white doors of the royal sleeping-room. "The Chamber," one of the eleven offices in the service of the King, comprised four first gentlemen of the Chamber, twenty-four gentlemen of the Chamber, twenty-four pages of the Chamber, four first valets of the Chamber, sixteen ushers, thirty-two valets of the Chamber, two cloak-bearers, two gun-bearers, eight barbers, three watch-makers, one dentist, and many minor attendants--all under the direction of the Grand Chamberlain.
A few minutes before eight o'clock it was the duty of the chief _valet de chambre_ to see that a fire was laid in the King's chamber (if the weather required one), that blinds were drawn, and candles snuffed. As the clock chimed the hour of eight, he approached the embroidered red velvet curtains of the royal bed with the announcement, "Sire, it is the hour."