The great tree-trunk-pillared portico of the country house was deserted when the colonel cut out the motor-battery switch at the carriage step. But a moment later a white-gowned figure appeared in the open doorway, and the colonel's daughter came to the step, to laugh gayly, and to say:
"Why, Mr. Ballard, I'm astounded! Have you really decided that it is quite safe to trust yourself in the camp of the enemy?"
Ballard had seen Castle 'Cadia at field-glass range; and he had Bromley's enthusiastic description of the house of marvels to push anticipation some little distance along the way to meet the artistic reality. None the less, the reality came with the shock of the unexpected.
In the softened light of the shaded electric pendants, the massive pillars of the portico appeared as single trees standing as they had grown in the mountain forest. Underfoot the floor was of hewn tree-trunks; but the house walls, like the pillars, were of logs in the rough, cunningly matched and fitted to conceal the carpentry.
A man had come to take the automobile, and the colonel paused to call attention to a needed adjustment of the motor. Ballard made use of the isolated moment.
"I have accounted for you at last," he said, prolonging the greeting hand-clasp to the ultimate limit. "I know now what has made you what you are."
"Really?" she questioned lightly. "And all these years I have been vainly imagining that I had acquired the manner of the civilized East! Isn't it pathetic?"
"Very," he agreed quite gravely. "But the pathos is all on my side."
"Meaning that I might let you go and dress for dinner? I shall. Enter the house of the enemy, Mr. Ballard. A cow-punching princess bids you welcome."
She was looking him fairly in the eyes when she said it, and he acquitted her doubtfully of the charge of intention. But her repetition, accidental or incidental, of his own phrase was sufficiently disconcerting to make him awkwardly silent while she led the way into the spacious reception-hall.