Having no symbolism save that of Holy Writ, Thomas Jefferson's mind seized instantly on the figure, building far better than it knew. It was a new Exodus, with its pillar of cloud by day and its pillar of fire by night. And its Moses—though this, we may suppose, was beyond a boy's imaging—was the frenzied, ruthless spirit of commercialism, named otherwise, by the multitude, Modern Progress.
V
THE DABNEYS OF DEER TRACE
If you have never had the pleasure of meeting a Southern gentleman of the patriarchal school, I despair of bringing you well acquainted with Major Caspar Dabney until you have summered and wintered him. But the Dabneys of Deer Trace—this was the old name of the estate, and it obtains to this day among the Paradise Valley folk—figure so largely in Thomas Jefferson's boyhood and youth as to be well-nigh elemental in these retrospective glimpses.
To know the Major even a little, you should not refer him to any of the accepted types, like Colonel Carter, of Cartersville, or that other colonel who has made Kentucky famous; this though I am compelled to write it down that Major Caspar wore the soft felt hat and the full-skirted Prince Albert coat, without which no reputable Southern gentleman ever appears in the pages of fiction. But if you will ignore these concessions to the conventional, and picture a man of heroic proportions, straight as an arrow in spite of his sixty-eight years, full-faced, well-preserved, with a massive jaw, keen eyes that have lost none of their lightnings, and huge white mustaches curling upward militantly at the ends you will have the Major's outward presentment.
Notwithstanding, this gives no adequate hint of the contradictory inner man. By turns the most lovingly kind and the most violent, the most generously magnanimous and the most vindictive of the unreconstructed minority, Caspar Dabney was rarely to be taken for granted, even by those who knew him best. Of course, Ardea adored him; but Ardea was his grandchild, and she was wont to protest that she never could see the contradictions, for the reason that she was herself a Dabney.
It was about the time when Thomas Jefferson was beginning to reconsider his ideals, with a leaning toward brass-bound palaces on wheels and dictatorial authority over uniformed lackeys and other of his fellow creatures, that fate dealt the Major its final stab and prepared to pour wine and oil into the wound—though of the balm-pouring, none could guess at the moment of wounding. It was not in Caspar Dabney to be patient under a blow, and for a time his ragings threatened to shake even Mammy Juliet's loyalty—than which nothing more convincing can be said.
"'Fo' Gawd, Mistuh Scipio," she would say, when the master had sworn volcanically at her for the fifth time in the course of one forenoon, "I'se jus' erbout wo'ed out! I done been knowin' Mawstuh Caspah ebber sence I was Ol' Mistis's tiah-'ooman—dat's what she call me in de plantashum days—an' I ain't nev' seen him so fractious ez he been sence dat letter come tellin' him come get dat po' li'l gal-child o' Mawstuh Louis's. Seems lak he jus' gwine r'ar round twel he hu't somebody!"