He who entered on a winter night beheld a strange spectacle: the vista of fires lighting the smoky concave; the bronzed groups encircling each,—cooking, eating, gambling, or amusing themselves with idle badinage; shrivelled squaws, hideous with threescore years of hardship; grisly old warriors, scarred with Iroquois war-clubs; young aspirants, whose honors were yet to be won; damsels gay with ochre and wampum; restless children pellmell with restless dogs. Now a tongue of resinous flame painted each wild feature in vivid light; now the fitful gleam expired, and the group vanished from sight, as their nation has vanished from history.
The fortified towns of the Hurons were all on the side exposed to Iroquois incursions. The fortifications of all this family of tribes were, like their dwellings, in essential points alike. A situation was chosen favorable to defence,—the bank of a lake, the crown of a difficult hill, or a high point of land in the fork of confluent rivers. A ditch, several feet deep, was dug around the village, and the earth thrown up on the inside. Trees were then felled by an alternate process of burning and hacking the burnt part with stone hatchets, and by similar means were cut into lengths to form palisades. These were planted on the embankment, in one, two, three, or four concentric rows,—those of each row inclining towards those of the other rows until they intersected. The whole was lined within, to the height of a man, with heavy sheets of bark; and at the top, where the palisades crossed, was a gallery of timber for the defenders, together with wooden gutters, by which streams of water could be poured down on fires kindled by the enemy. Magazines of stones, and rude ladders for mounting the rampart, completed the provision for defence. The forts of the Iroquois were stronger and more elaborate than those of the Hurons; and to this day large districts in New York are marked with frequent remains of their ditches and embankments. [11]
[11] There is no mathematical regularity in these works. In their form, the builders were guided merely by the nature of the ground. Frequently a precipice or river sufficed for partial defence, and the line of embankment occurs only on one or two sides. In one instance, distinct traces of a double line of palisades are visible along the embankment. (See Squier, Aboriginal Monuments of New York, 38.) It is probable that the palisade was planted first, and the earth heaped around it. Indeed, this is stated by the Tuscarora Indian, Cusick, in his curious History of the Six Nations (Iroquois). Brébeuf says, that as early as 1636 the Jesuits taught the Hurons to build rectangular palisaded works, with bastions. The Iroquois adopted the same practice at an early period, omitting the ditch and embankment; and it is probable, that, even in their primitive defences, the palisades, where the ground was of a nature to yield easily to their rude implements, were planted simply in holes dug for the purpose. Such seems to have been the Iroquois fortress attacked by Champlain in 1615.
The Muscogees, with other Southern tribes, and occasionally the Algonquins, had palisaded towns; but the palisades were usually but a single row, planted upright. The tribes of Virginia occasionally surrounded their dwellings with a triple palisade.—Beverly, History of Virginia, 149.
Among these tribes there was no individual ownership of land, but each family had for the time exclusive right to as much as it saw fit to cultivate. The clearing process—a most toilsome one—consisted in hacking off branches, piling them together with brushwood around the foot of the standing trunks, and setting fire to the whole. The squaws, working with their hoes of wood and bone among the charred stumps, sowed their corn, beans, pumpkins, tobacco, sunflowers, and Huron hemp. No manure was used; but, at intervals of from ten to thirty years, when the soil was exhausted, and firewood distant, the village was abandoned and a new one built.
There was little game in the Huron country; and here, as among the Iroquois, the staple of food was Indian corn, cooked without salt in a variety of forms, each more odious than the last. Venison was a luxury found only at feasts; dog-flesh was in high esteem; and, in some of the towns captive bears were fattened for festive occasions. These tribes were far less improvident than the roving Algonquins, and stores of provision were laid up against a season of want. Their main stock of corn was buried in caches, or deep holes in the earth, either within or without the houses.
In respect to the arts of life, all these stationary tribes were in advance of the wandering hunters of the North. The women made a species of earthen pot for cooking, but these were supplanted by the copper kettles of the French traders. They wove rush mats with no little skill. They spun twine from hemp, by the primitive process of rolling it on their thighs; and of this twine they made nets. They extracted oil from fish and from the seeds of the sunflower,—the latter, apparently, only for the purposes of the toilet. They pounded their maize in huge mortars of wood, hollowed by alternate burnings and scrapings. Their stone axes, spear and arrow heads, and bone fish-hooks, were fast giving place to the iron of the French; but they had not laid aside their shields of raw bison-hide, or of wood overlaid with plaited and twisted thongs of skin. They still used, too, their primitive breastplates and greaves of twigs interwoven with cordage. [12] The masterpiece of Huron handiwork, however, was the birch canoe, in the construction of which the Algonquins were no less skilful. The Iroquois, in the absence of the birch, were forced to use the bark of the elm, which was greatly inferior both in lightness and strength. Of pipes, than which nothing was more important in their eyes, the Hurons made a great variety, some of baked clay, others of various kinds of stone, carved by the men, during their long periods of monotonous leisure, often with great skill and ingenuity. But their most mysterious fabric was wampum. This was at once their currency, their ornament, their pen, ink, and parchment; and its use was by no means confined to tribes of the Iroquois stock. It consisted of elongated beads, white and purple, made from the inner part of certain shells. It is not easy to conceive how, with their rude implements, the Indians contrived to shape and perforate this intractable material. The art soon fell into disuse, however; for wampum better than their own was brought them by the traders, besides abundant imitations in glass and porcelain. Strung into necklaces, or wrought into collars, belts, and bracelets, it was the favorite decoration of the Indian girls at festivals and dances. It served also a graver purpose. No compact, no speech, or clause of a speech, to the representative of another nation, had any force, unless confirmed by the delivery of a string or belt of wampum. [13] The belts, on occasions of importance, were wrought into significant devices, suggestive of the substance of the compact or speech, and designed as aids to memory. To one or more old men of the nation was assigned the honorable, but very onerous, charge of keepers of the wampum,—in other words, of the national records; and it was for them to remember and interpret the meaning of the belts. The figures on wampum-belts were, for the most part, simply mnemonic. So also were those carved on wooden tablets, or painted on bark and skin, to preserve in memory the songs of war, hunting, or magic. [14] The Hurons had, however, in common with other tribes, a system of rude pictures and arbitrary signs, by which they could convey to each other, with tolerable precision, information touching the ordinary subjects of Indian interest.
[12] Some of the northern tribes of California, at the present day, wear a sort of breastplate "composed of thin parallel battens of very tough wood, woven together with a small cord."
[13] Beaver-skins and other valuable furs were sometimes, on such occasions, used as a substitute.
[14] Engravings of many specimens of these figured songs are given in the voluminous reports on the condition of the Indians, published by Government, under the editorship of Mr. Schoolcraft. The specimens are chiefly Algonquin.
Their dress was chiefly of skins, cured with smoke after the well-known Indian mode. That of the women, according to the Jesuits, was more modest than that "of our most pious ladies of France." The young girls on festal occasions must be excepted from this commendation, as they wore merely a kilt from the waist to the knee, besides the wampum decorations of the breast and arms. Their long black hair, gathered behind the neck, was decorated with disks of native copper, or gay pendants made in France, and now occasionally unearthed in numbers from their graves. The men, in summer, were nearly naked,—those of a kindred tribe wholly so, with the sole exception of their moccasins. In winter they were clad in tunics and leggins of skin, and at all seasons, on occasions of ceremony, were wrapped from head to foot in robes of beaver or otter furs, sometimes of the greatest value. On the inner side, these robes were decorated with painted figures and devices, or embroidered with the dyed quills of the Canada hedgehog. In this art of embroidery, however, the Hurons were equalled or surpassed by some of the Algonquin tribes. They wore their hair after a variety of grotesque and startling fashions. With some, it was loose on one side, and tight braided on the other; with others, close shaved, leaving one or more long and cherished locks; while, with others again, it bristled in a ridge across the crown, like the back of a hyena. [15] When in full dress, they were painted with ochre, white clay, soot, and the red juice of certain berries. They practised tattooing, sometimes covering the whole body with indelible devices. [16] When of such extent, the process was very severe; and though no murmur escaped the sufferer, he sometimes died from its effects.
[15] See Le Jeune, Relation, 1633, 35.—"Quelles hures!" exclaimed some astonished Frenchman. Hence the name, Hurons.
[16] Bressani, Relation Abrégée, 72.—Champlain has a picture of a warrior thus tattooed.