The Katipunan; or, The Rise and Fall of the Filipino Commune

by Francis St. Clair

Isabelo de los Reyes, in an attempted defense of his “friends”, makes the important confession that “Filipino freemasonry was not so inoffensive as it was believed.... The “Liga” at least was a school of conspiracy, and in truth, the Filipinos did not turn out bad pupils.”

Another demonstration of the inoffensiveness of freemasonry is the following series of facts taken from a pamphlet published in 1896 in Paris by Antonio Regidor under the pseudonym of Francisco Engracio Vergara. Regidor was a distinguished figure in the attempted revolt of 1872, and hence may justly be supposed to know something of the matter of which he speaks. He says:

“By reason of the rising of Cavite many Filipinos characterized as progressives were deported to Marianas.... To the masons of Hong-Kong was owing the flight of several Filipinos....”

“The foreign masons distributed arms in Negros, Mindanao and Jolo. The official bank of Singapore distributed in Cebu, Leyte and Bohol over £80,000 stg., and that of Hong-Kong more than £200,000 in Panay and Negros.... The French freemasons at the petition of brother Paraiso, went to aid also the escape of the deported in Marianas.”

Note 8. Rizal and others: Of this group Rizal, Pilar, the Lunas and Cortés, formed the more guilty part, they being men of superior education and more enlightened minds. Rizal was the center upon which almost everything connected with the revolt turned. During his younger days he lived with his parents in Calamba, where they occupied a stretch of land owned by the Dominican Corporation. The Rizal family was one of those most favored by the Dominicans[8], and one of those ungrateful ones too, which commenced law-suit against the said Corporation to unjustly possess themselves of the land they held at rent.

Rizal received his secondary education at the Ateneo Municipal conducted by the Jesuit Fathers, and was always a bright attentive and successful pupil. At that time he was secretary of the Sodality of the Blessed Virgin and Promoter of the Apostleship of Prayer. Whilst he remained true to the traditions of Catholic Spain, he was an upright pious youth. Much of his time he spent in carving wooden images of the Blessed Virgin and of the Sacred Heart, and in writing compositions, some of them remarkable for their beauty, in which were reflected a pure love for Spain.

Having attained the degree of Bachelor he left the Ateneo and passed to the University of Manila, continuing his studies under the Dominican Fathers. There he studied medicine with great success for some years, and at length went to Europe to terminate his career and take his degrees.

Rizal left school like so many other filipino students, overloaded with science he was unable to direct, full of pride because of his accomplishments, and very ambitious. He terminated his studies in Madrid and Germany, in both of which places he fell in with a class of people who utilized him as a tool to accomplish an end at that time unknown to him. They filled his head with new and false ideas, making him vain promises which appealed to his pride, and by their dark arts made of him a separatist. He also studied English and German, his studies in this latter language making him enthusiastic in the things of Germany and, in an extraordinary degree, with those of protestantism.

Among his own people he was the possessor of an exceptional intelligence and talent but outside his own circle his most famous accomplishments are but poor to the student of Literature. His sadly famous Noli me tangere and El Filibusterismo cannot pass for more than very second-hand for their ingenuity and literary taste, but they possess the quality of being a mirror in which is reflected the inclinations, character and perverse moral sense of their author. In them he is reflected as a restless spirit anxious for human glory, haughty and above all, anti-Spanish and ungrateful in the extreme.

It was in Berlin that he published his Noli in 1886. That this novel was written by Rizal there in no doubt, but that the ideas therein expressed came directly from his own head is more than doubtful. Like the vast majority of Filipino productions, it is but a copy taken from models which had struck the fancy of the author. The pictures he draws therein of the disadvantages suffered by the Filipinos who have become españolized, are but reproductions prepared in his own coarse and crude way of thinking, of the most scurrilous anti-Spanish and anti-Catholic works of propaganda produced by the Bible Societies and spread abroad throughout the world as gospel truth. Taking away the insults hurled against the Church and the Religious Orders, and against Spain, there is absolutely nothing new in the novel. Its object was to attack the friars and the chiefs of the Guardia Civil, both of which the author well knew to be the sustainment and guarantee of peace and order in the Archipelago and consequently the strongest support of the Spanish sovereignty in the Philippines, a sovereignty he wished to overthrow. To a reader whose library consists of a half a dozen books of insignificant literary value, the noli of Rizal is a masterpiece; but to the reader who has seen a book with a cover, who has had some experience of that portion of the world which lies outside the limits of the town of his birth, and who is gifted with more or less ability to think for himself, and sift the wheat from the straw in a literary composition, noli me tangere is but a half-tone picture cut from a newspaper and colored with water-colors by a ... school-boy.