Her song said that no springing Paradise but evermore Hangeth on a singing That has chords of weeping, And that sings the after-sleeping To souls which wake too sore. "But woe the singer, woe!" she said; "beyond the dead his singing-lore, All its art of sweet and sore, He learns, in Elenore!"
Where is the land of Luthany, Where is the tract of Elenore? I am bound therefor.
"Pierce thy heart to find the key; With thee take Only what none else would keep; Learn to dream when thou dost wake, Learn to wake when thou dost sleep. Learn to water joy with tears, Learn from fears to vanquish fears; To hope, for thou dar'st not despair, Exult, for that thou dar'st not grieve; Plough thou the rock until it bear; Know, for thou else couldst not believe; Lose, that the lost thou may'st receive; Die, for none other way canst live. When earth and heaven lay down their veil, And that apocalypse turns thee pale; When thy seeing blindeth thee To what thy fellow-mortals see; When their sight to thee is sightless; Their living, death; their light, most lightless; Search no more— Pass the gates of Luthany, tread the region Elenore."
Where is the land of Luthany, And where the region Elenore? I do faint therefor.
"When, to the new eyes of thee, All things, by immortal power, Near or far, Hiddenly To each other linkèd are, That thou canst not stir a flower Without troubling of a star; When thy song is shield and mirror To the fair snake-curlèd Pain, Where thou dar'st affront her terror That on her thou may'st attain Perséan conquest;—seek no more, O seek no more! Pass the gates of Luthany, tread the region Elenore."
So sang she, so wept she, Through a dream-night's day; And with her magic singing kept she— Mystical in music— That garden of enchanting In visionary May; Swayless for my spirit's haunting, Thrice-threefold walled with emerald from our mortal mornings grey.
THE AFTER WOMAN
Daughter of the ancient Eve We know the gifts ye gave—and give. Who knows the gifts which you shall give, Daughter of the newer Eve? You, if my soul be augur, you Shall—O what shall you not, Sweet, do? The celestial traitress play, And all mankind to bliss betray; With sacrosanct cajoleries And starry treachery of your eyes, Tempt us back to Paradise! Make heavenly trespass;—ay, press in Where faint the fledge-foot seraphin, Blest fool! Be ensign of our wars, And shame us all to warriors! Unbanner your bright locks,—advance, Girl, their gilded puissance, I' the mystic vaward, and draw on After the lovely gonfalon Us to out-folly the excess Of your sweet foolhardiness; To adventure like intense Assault against Omnipotence!
Give me song, as She is, new, Earth should turn in time thereto! New, and new, and thrice so new, All old sweets, New Sweet, meant you! Fair, I had a dream of thee, When my young heart beat prophecy, And in apparition elate Thy little breasts knew waxèd great, Sister of the Canticle, And thee for God grown marriageable. How my desire desired your day, That, wheeled in rumour on its way, Shook me thus with presentience! Then Eden's lopped tree shall shoot again: For who Christ's eyes shall miss, with those Eyes for evident nuncios? Or who be tardy to His call In your accents augural? Who shall not feel the Heavens hid Impend, at tremble of your lid, And divine advent shine avowed Under that dim and lucid cloud; Yea, 'fore the silver apocalypse Fail, at the unsealing of your lips? When to love you is (O Christ's spouse!) To love the beauty of His house. Then come the Isaian days; the old Shall dream; and our young men behold Vision—yea, the vision of Thabor-mount, Which none to other shall recount, Because in all men's hearts shall be The seeing and the prophecy. For ended is the Mystery Play, When Christ is life, and you the way; When Egypt's spoils are Israel's right, And Day fulfils the married arms of Night.
But here my lips are still. Until You and the hour shall be revealed, This song is sung and sung not, and its words are sealed.