[LETTER XLIV.]

Paris, January 3, 1802.

An almost uninterrupted succession of wet weather has, of late, precluded me from the regular enjoyment of a morning walk. But, with the new year, we had a heavy fall of snow, which has since been succeeded by a severe frost. I gladly availed myself of this opportunity of taking exercise, and yesterday, after viewing the skaiters in that part of the Champs Elysées which had been inundated, and is now frozen, I immediately proceeded to the

HÔTEL DES INVALIDES.

This majestic edifice was projected by Henry IV, and executed, by order of Lewis XIV, after the designs of BRUANT, who laid the foundation on the 30th of November, 1671. It is composed of five courts, surrounded by buildings. The middle court is as large as all the other four.

A spacious esplanade planted with trees, an outer court surrounded by a wall newly-built, form the view towards the river, and lead to the principal façade, which is twelve hundred feet in extent. This façade has, within these few years, been entirely polished anew: the details of sculpture have, perhaps, gained by the operation; but the architecture has certainly lost that gloomy tint which gave to this building a manly and respectable character. In the middle of this façade, in the arched part above the great gate, was a bas-relief of Lewis XIV on horseback.

This gate leads to the great court, which is decorated by two rows of arcades, the one above the other, forming, on the two stories, uniform galleries which give light to the apartments of the circumference. The windows, which serve to light the upper apartments of the façade, are remarkable from their being placed in cuirasses, as those of the great court are in trophies of arms.

From this court, you enter the church, now called the Temple of Mars. It is ornamented with the Corinthian order, and has the form of a Greek cross. The pulpit no longer exists. The altar, which was magnificently decorated, is likewise destroyed.

The chapels, to the number of six, were each ornamented by a cupola painted in fresco, and statues in marble by the greatest masters, which, after being left for some time exposed to the injuries of the air in the court looking towards the country, are at length deposited in the MUSEUM OF FRENCH MONUMENTS.

To the arches of this temple are suspended the standards and colours taken from the enemy. Two British flags only contribute to augment the number. The oldest of these trophies have been removed from Notre-Dame. When they were formerly displayed in that cathedral, a general, who was constantly victorious, was called by the people the upholsterer of Notre-Dame; an energetic appellation which spoke home to the feelings. But, however calculated these emblems of victory may be to foster heroism in the mind of youth, and rekindle valour in the heart of old age, what a subject of reflection do they not afford to the philanthropist! How can he, in fact, contemplate these different flags, without regretting the torrents of blood which they have cost his fellow-creatures?